Zoonomia/I.XVII

SECT. XVII.

THE CATENATION OF MOTIONS.


 * I. 1. Catenations of animal motion. 2. Are produced by irritations, by sensations, by volitions. 3. They continue some time after they have been excited. Cause of catenation. 4. We can then exert our attention on other objects. 5. Many catenations of motions go on together. 6. Some links of the catenations of motions may be left out without disuniting the chain. 7. Interrupted circles of motion continue confusedly till they come to the part of the circle, where they were disturbed. 8. Weaker catenations are dissevered by stronger. 9. Then new catenations take place. 10. Much effort prevents their reuniting. Impediment of speech. 11. Trains more easily dissevered than circles. 12. Sleep destroys volition and external stimulus. II. Instances of various catenations in a young lady playing on the harpsichord. III. 1. What catenations are the strongest. 2. Irritations joined with associations from strongest connexions. Vital motions. 3. New links with increased force, cold fits of fever produced. 4. New links with decreased force. Cold bath. 5. Irritation joined with sensation. Inflammatory fever. Why children cannot tickle themselves. 6. Volition joined with sensation. Irritative ideas of sound become sensible. 7. Ideas of imagination, dissevered by irritations, by volition, production of surprise.

I. 1 . To investigate with precision the catenations of animal motions, it would be well to attend to the manner of their production; but we cannot begin this disquisition early enough for this purpose, as the catenations of motion seem to begin with life, and are only extinguishable with it; We have spoken of the power of irritation, of sensation, of volition, and of association, as preceding the fibrous motions; we now step forwards, and consider, that conversely they are in their turn preceded by those motions; and that all the successive trains or circles of our actions are composed of this twofold concatenation. Those we shall call trains of action, which continue to proceed without any stated repetitions; and those circles of action, when the parts of them return at certain periods, though the trains, of which they consist, are not exactly similar. The reading an epic poem is a train of actions; the reading a song with a chorus at equal distances in the measure constitutes so many circles of action.

2 . Some catenations of animal motion are produced by reiterated successive irritations, as when we learn to repeat the alphabet in its order by frequently reading the letters of it. Thus the vermicular motions of the bowels were originally produced by the successive irritations of the passing aliment; and the succession of actions of the auricles and ventricles of the heart was originally formed by successive stimulus of the blood, these afterwards become part of the diurnal circles of animal actions, as appears by the periodical returns of hunger, and the quickened pulse of weak people in the evening.

Other catenations of animal motion are gradually acquired by successive agreeable sensations, as in learning a favourite song or dance; others by disagreeable sensations, as in coughing or nictitation; these become associated by frequent repetition, and afterwards compose parts of greater circles of action like those above mentioned.

Other catenations of motions are gradually acquired by frequent voluntary repetitions; as when we deliberately learn to march, read, fence, or any mechanic art, the motions of many of our muscles become gradually linked together in trains, tribes, or circles of action. Thus when any one at first begins to use the tools in turning wood or metals in a lathe, he wills the motions of his hand or fingers, till at length these actions become so connected with the effect, that he seems only to will the point of the chisel. These are caused by volition, connected by association like those above described, and afterwards become parts of our diurnal trains or circles of action.

3 . All these catenations of animal motions, are liable to proceed some time after they are excited, unless they are disturbed or impeded by other irritations, sensations, or volitions; and in many instances in spite of our endeavours to stop them; and this property of animal motions is probably the cause of their catenation. Thus when a child revolves some minute on one foot, the spectra of the ambient objects appear to circulate round him some time after he falls upon the ground. Thus the palpitation of the heart continues some time after the object of fear, which occasioned it, is removed. The blush of shame, which is an excess of sensation, and the glow of anger, which is an excess of volition, continue some time, though the affected person finds, that those emotions were caused by mistaken facts, and endeavours to extinguish their appearance. See Sect. XII. 1. 5.

4 . When a circle of motions becomes connected, by frequent repetitions as above, we can exert our attention strongly on other objects, and the concatenated circle of motions will nevertheless proceed in due order; as whilst you are thinking on this subject, you use variety of muscles in walking about your parlour, or in sitting at your writing-table.

5 . Innumerable catenations of motions may proceed at the same time, without incommoding each other. Of these are the motions of the heart and arteries; those of digestion and glandular secretion; of the ideas, or sensual motions; those of progression, and of speaking; the great annual circle of actions so apparent in birds in their times of breeding and moulting; the monthly circles of many female animals; and the diurnal circles of sleeping and waking, of fulness and inanition.

6 . Some links of successive trains or of synchronous tribes of action may be left out without disjoining the whole. Such are our usual trains of recollection; after having travelled through an entertaining country, and viewed many delightful lawns, rolling rivers, and echoing rocks; in the recollection of our journey we leave out the many districts, that we crossed, which were marked with no peculiar pleasure. Such also are our complex ideas, they are catenated tribes of ideas, which do not perfectly resemble their correspondent perceptions, because some of the parts are omitted.

7 . If an interrupted circle of actions is not entirely dissevered, it will continue to proceed confusedly, till it comes to the part of the circle, where it was interrupted.

The vital motions in a fever from drunkenness, and in other periodical diseases, are instances of this circumstance. The accidental inebriate does not recover himself perfectly till about the same hour on the succeeding day. The accustomed drunkard is disordered, if he has not his usual potation of fermented liquor. So if a considerable part of a connected tribe of action be disturbed, that whole tribe goes on with confusion, till the part of the tribe affected regains its accustomed catenations. So vertigo produces vomiting, and a great secretion of bile, as in sea-sickness, all these being parts of the tribe of irritative catenations.

8 . Weaker catenated trains may be dissevered by the sudden exertion of the stronger. When a child first attempts to walk across a room, call to him, and he instantly falls upon the ground. So while I am thinking over the virtues of my friends, if the tea-kettle spurt out some hot water on my stocking; the sudden pain breaks the weaker chain of ideas, and introduces a new group of figures of its own. This circumstance is extended to some unnatural trains of action, which have not been confirmed by long habit; as the hiccough, or an ague-fit, which are frequently curable by surprise. A young lady about eleven years old had for five days had a contraction of one muscle in her fore arm, and another in her arm, which occurred four or five times every minute; the muscles were seen to leap, but without bending the arm. To counteract this new morbid habit, an issue was placed over the convulsed muscle of her arm, and an adhesive plaster wrapped tight like a bandage over the whole fore arm, by which the new motions were immediately destroyed, but the means were continued some weeks to prevent a return.

9 . If any circle of actions is dissevered, either by omission of some of the links, as in sleep, or by insertion of other links, as in surprise, new catenations take place in a greater or less degree. The last link of the broken chain of actions becomes connected with the new motion which has broken it, or with that which was nearest the link omitted; and these new catenations proceed instead of the old ones. Hence the periodic returns of ague-fits, and the chimeras of our dreams.

10 . If a train of actions is dissevered, much effort of volition or sensation will prevent its being restored. Thus in the common impediment of speech, when the association of the motions of the muscles of enunciation with the idea of the word to be spoken is disordered, the great voluntary efforts, which distort the countenance, prevent the rejoining of the broken associations. See No. II. 10. of this Section. It is thus likewise observable in some inflammations of the bowels, the too strong efforts made by the muscles to carry forwards the offending material fixes it more firmly in its place, and prevents the cure. So in endeavouring to recal to our memory some particular word of a sentence, if we exert ourselves too strongly about it, we are less likely to regain it.

11 . Catenated trains or tribes of action are easier dissevered than catenated circles of action. Hence in epileptic fits the synchronous connected tribes of action, which keep the body erect, are dissevered, but the circle of vital motions continues undisturbed.

12 . Sleep destroys the power of volition, and precludes the stimuli of external objects, and thence dissevers the trains, of which these are a part; which confirms the other catenations, as those of the vital motions, secretions, and absorptions; and produces the new trains of ideas, which constitute our dreams.

II. 1 . All the preceding circumstances of the catenations of animal motions will be more clearly understood by the following example of a person learning music; and when we recollect the variety of mechanic arts, which are performed by associated trains of muscular actions catenated with the effects they produce, as in knitting, netting, weaving; and the greater variety of associated trains of ideas caused or catenated by volitions or sensations, as in our hourly modes of reasoning, or imagining, or recollecting, we shall gain some idea of the innumerable catenated trains and circles of action, which form the tenor of our lives, and which began, and will only cease entirely with them.

2 . When a young lady begins to learn music, she voluntarily applies herself to the characters of her music-book, and by many repetitions endeavours to catenate them with the proportions of sound, of which they are symbols. The ideas excited by the musical characters are slowly connected with the keys of the harpsichord, and much effort is necessary to produce every note with the proper finger, and in its due place and time; till at length a train of voluntary exertions becomes catenated with certain irritations. As the various notes by frequent repetitions become connected in the order, in which they are produced, a new catenation of sensitive exertions becomes mixed with the voluntary ones above described; and not only the musical symbols of crotchets and quavers, but the auditory notes and tones at the same time, become so many successive or synchronous links in this circle of catenated actions.

At length the motions of her fingers become catenated with the musical characters; and these no sooner strike the eye, than the finger presses down the key without any voluntary attention between them; the activity of the hand being connected with the irritation of the figure or place of the musical symbol on the retina; till at length by frequent repetitions of the same tune the movements of her fingers in playing, and the muscles of the larynx in singing, become associated with each other, and form part of those intricate trains and circles of catenated motions, according with the second article of the preceding propositions in No. 1. of this Section.

3 . Besides the facility, which by habit attends the execution of this musical performance, a curious circumstance occurs, which is, that when our young musician has began a tune, she finds herself inclined to continue it; and that even when she is carelessly singing alone without attending to her own song; according with the third preceding article.

4 . At the same time that our young performer continues to play with great exactness this accustomed tune, she can bend her mind, and that intensely, on some other object, according with the fourth article of the preceding proportions.

The manuscript copy of this work was lent to many of my friends at different times for the purpose of gaining their opinions and criticisms on many parts of it, and I found the following anecdote written with a pencil opposite to this page, but am not certain by whom. "I remember seeing the pretty young actress, who succeeded Mrs. Arne in the performance of the celebrated Padlock, rehearse the musical parts at her harpsichord under the eye of her master with great taste and accuracy; though I observed her countenance full of emotion, which I could not account for; at last she suddenly burst into tears; for she had all this time been eyeing a beloved canary bird, suffering great agonies, which at that instant fell dead from its perch."

5 . At the same time many other catenated circles of action are going on in the person of our fair musician, as well as the motions of her fingers, such as the vital motions, respiration, the movements of her eyes and eyelids, and of the intricate muscles of vocality, according with the fifth preceding article.

6 . If by any strong impression on the mind of our fair musician she should be interrupted for a very inconsiderable time, she can still continue her performance, according to the sixth article.

7 . If however this interruption be greater, though the chain of actions be not dissevered, it proceeds confusedly, and our young performer continues indeed to play, but in a hurry without accuracy and elegance, till she begins the tune again, according to the seventh of the preceding articles.

8 . But if this interruption be still greater, the circle of actions becomes entirely dissevered, and she finds herself immediately under the necessity to begin over again to recover the lost catenation, according to the eighth preceding article.

9 . Or in trying to recover it she will sing some dissonant notes, or strike some improper keys, according to the ninth preceding article.

10 . A very remarkable thing attends this breach of catenation, if the performer has forgotten some word of her song, the more energy of mind she uses about it, the more distant is she from regaining it; and artfully employs her mind in part on some other object, or endeavours to dull its perceptions, continuing to repeat, as it were inconsciously, the former part of the song, that she remembers, in hopes to regain the lost connexion.

For if the activity of the mind itself be more energetic, or takes its attention more, than the connecting word, which is wanted; it will not perceive the slighter link of this lost word; as who listens to a feeble sound, must be very silent and motionless; so that in this case the very vigour of the mind itself seems to prevent it from regaining the lost catenation, as well as the too great exertion in endeavouring to regain it, according to the tenth preceding article.

We frequently experience, when we are doubtful about the spelling of a word, that the greater voluntary exertion we use, that is the more intensely we think about it, the further are we from regaining the lost association between the letters of it, but which readily recurs when we have become careless about it. In the same manner, after having for an hour laboured to recollect the name of some absent person, it shall seem, particularly after sleep, to come into the mind as it were spontaneously; that is the word we are in search of, was joined to the preceding one by association; this association being dissevered, we endeavour to recover it by volition; this very action of the mind strikes our attention more, than the faint link of association, and we find it impossible by this means to retrieve the lost word. After sleep, when volition is entirely suspended, the mind becomes capable of perceiving the fainter link of association, and the word is regained.

On this circumstance depends the impediment of speech before mentioned; the first syllable of a word is causable by volition, but the remainder of it is in common conversation introduced by its associations with this first syllable acquired by long habit. Hence when the mind of the stammerer is vehemently employed on some idea of ambition of shining, or fear of not succeeding, the associations of the motions of the muscles of articulation with each other become dissevered by this greater exertion, and he endeavours in vain by voluntary efforts to rejoin the broken association. For this purpose he continues to repeat the first syllable, which is causable by volition, and strives in vain, by various distortions of countenance, to produce the next links, which are subject to association. See Class IV. 2. 3. 1.

11 . After our accomplished musician has acquired great variety of tunes and songs, so that some of them begin to cease to be easily recollected, she finds progressive trains of musical notes more frequently forgotten, than those which are composed of reiterated circles, according with the eleventh preceding article.

12 . To finish our example with the preceding articles we must at length suppose, that our fair performer falls asleep over her harpsichord; and thus by the suspension of volition, and the exclusion of external stimuli, she dissevers the trains and circles of her musical exertions.

III. 1 . Many of these circumstances of catenations of motions receive an easy explanation from the four following consequences to the seventh law of animal causation in Sect. IV. These are, first, that those successions or combinations of animal motions, whether they were united by causation, association, or catenation, which have been most frequently repeated, acquire the strongest connection. Secondly, that of these, those, which have been less frequently mixed with other trains or tribes of motion, have the strongest connection. Thirdly, that of these, those, which were first formed, have the strongest connection. Fourthly, that if an animal motion be excited by more than one causation, association, or catenation, at the same time, it will be performed with greater energy.

2 . Hence also we understand, why the catenations of irritative motions are more strongly connected than those of the other classes, where the quantity of unmixed repetition has been equal; because they were first formed. Such are those of the secerning and absorbent systems of vessels, where the action of the gland produces a fluid, which stimulates the mouths of its correspondent absorbents. The associated motions seem to be the next most strongly united, from their frequent repetition; and where both these circumstances unite, as in the vital motions, their catenations are indissoluble but by the destruction of the animal.

3 . Where a new link has been introduced into a circle of actions by some accidental defect of stimulus; if that defect of stimulus be repeated at the same part of the circle a second or a third time, the defective motions thus produced, both by the repeated defect of stimulus and by their catenation with the parts of the circle of actions, will be performed with less and less energy. Thus if any person is exposed to cold at a certain hour to-day, so long as to render some part of the system for a time torpid; and is again exposed to it at the same hour to-morrow, and the next day; he will be more and more affected by it, till at length a cold fit of fever is completely formed, as happens at the beginning of many of those fevers, which are called nervous or low fevers. Where the patient has slight periodical shiverings and paleness for many days before the febrile paroxysm is completely formed.

4 . On the contrary, if the exposure to cold be for so short a time, as not to induce any considerable degree of torpor or quiescence, and is repeated daily as above mentioned, it loses its effect more and more at every repetition, till the constitution can bear it without inconvenience, or indeed without being conscious of it. As in walking into the cold air in frosty weather. The same rule is applicable to increased stimulus, as of heat, or of vinous spirit, within certain limits, as is applied in the two last paragraphs to Deficient Stimulus; as is further explained in Sect. XXXVI. on the Periods of Diseases.

5 . Where irritation coincides with sensation to produce the same catenations of motion, as in inflammatory fevers, they are excited with still greater energy than by the irritation alone. So when children expect to be tickled in play, by a feather lightly passed over the lips, or by gently vellicating the soles of their feet, laughter is most vehemently excited; though they can stimulate these parts with their own fingers unmoved. Here the pleasureable idea of playfulness coincides with the vellication; and there is no voluntary exertion used to diminish the sensation, as there would be, if a child should endeavour to tickle himself. See Sect. XXXIV. 1. 4.

6 . And lastly, the motions excited by the junction of voluntary exertion with irritation are performed with more energy, than those by irritation singly; as when we listen to small noises, as to the ticking of a watch in the night, we perceive the most weak sounds, that are at other times unheeded. So when we attend to the irritative ideas of sound in our ears, which are generally not attended to, we can hear them; and can see the spectra of objects, which remain in the eye, whenever we please to exert our voluntary power in aid of those weak actions of the retina, or of the auditory nerve.

7 . The temporary catenations of ideas, which are caused by the sensations of pleasure or pain, are easily dissevered either by irritations, as when a sudden noise disturbs a day-dream; or by the power of volition, as when we awake from sleep. Hence in our waking hours, whenever an idea occurs, which is incongruous to our former experience, we instantly dissever the train of imagination by the power of volition, and compare the incongruous idea with our previous knowledge of nature, and reject it. This operation of the mind has not yet acquired a specific name, though it is exerted every minute of our waking hours; unless it may be termed INTUITIVE ANALOGY. It is an act of reasoning of which we are unconscious except from its effects in preserving the congruity of our ideas, and bears the same relation to the sensorial power of volition, that irritative ideas, of which we are inconscious except by their effects, do to the sensorial power of irritation; as the former is produced by volition without our attention to it, and the latter by irritation without our attention to them.

If on the other hand a train of imagination or of voluntary ideas are excited with great energy, and passing on with great vivacity, and become dissevered by some violent stimulus, as the discharge of a pistol near one's ear, another circumstance takes place, which is termed SURPRISE; which by exciting violent irritation, and violent sensation, employs for a time the whole sensorial energy, and thus dissevers the passing trains of ideas, before the power of volition has time to compare them with the usual phenomena of nature. In this case fear is generally the companion of surprise, and adds to our embarrassment, as every one experiences in some degree when he hears a noise in the dark, which he cannot instantly account for. This catenation of fear with surprise is owing to our perpetual experience of injuries from external bodies in motion, unless we are upon our guard against them. See Sect. XVIII. 17. XIX. 2.

Many other examples of the catenations of animal motions are explained in Sect. XXXVI. on the Periods of Diseases.