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Thoreau V. 5
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Thoreau V. 7
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Shelley poetry

 * A Bridal Song‎
 * A Dirge
 * Adonais
 * A Lament (O world! O life! O time!)
 * Alastor, or The Spirit of Solitude
 * An Ariette for Music (1832)
 * An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. From Adonais
 * An Exhortation (1820)
 * An Ode, written October, 1819, before the Spaniards had recovered their Liberty (published 1820)
 * Arethusa
 * A Roman's Chamber
 * A Summer Evening Churchyard, Lechlade, Gloucestershire
 * Autumn: A Dirge
 * A Vision of the Sea (1820)
 * A Widow Bird Sate Mourning for Her Love
 * Circumstance from Epigrams
 * Death ("They die—the dead return not—Misery…")
 * Death ("Death is here and death is there…")
 * Dirge for the Year
 * England in 1819
 * Epipsychidion
 * Epitaph
 * Evening: Ponte Al Mare, Pisa (1821)
 * Feelings of a Republican on the Fall of Bonaparte
 * Fragment: Home
 * Fragment of a Ghost Story
 * Fragment on Keats
 * From the Arabic: An Imitation
 * Good-Night
 * Hymn of Apollo
 * Hymn of Pan
 * Hymn to Intellectual Beauty
 * Liberty
 * Lines ("That time is dead for ever, child")
 * Lines ("Far, far away, O ye")
 * Lines ("The cold earth slept below")
 * Lines to a Critic
 * Lines to a Reviewer
 * Lines Written in the Bay of Lerici
 * Lines Written on Hearing the News of the Death of Napoleon
 * Love's Philosophy
 * Milton's Spirit, 1820, publ. 1870
 * Mont Blanc
 * Cancelled Passage of Mont Blanc
 * Music
 * Mutability ("The flower that smiles to-day")
 * Mutability ("We are as clouds that veil the midnight moon")
 * Ode to Heaven (1820)
 * Ode to Liberty (1820)
 * Ode to Naples
 * Ode to the West Wind (1820)
 * On Death
 * On a Faded Violet (known also as On a Dead Violet)
 * On Fanny Godwin
 * "One Word is Too Often Profaned"
 * Ozymandias
 * Passage of the Apennines
 * Poetical Essay on the Existing State of Things (1811)
 * Queen Mab
 * Remembrance
 * Satan Broken Loose
 * Song
 * Song of Proserpine
 * Sonnet ("Ye hasten to the grave…")
 * Sonnet ("Lift not the painted veil…")
 * Sonnet: Political Greatness
 * Stanza
 * Stanza, Written at Bracknell, March 1814
 * Stanzas—April, 1814
 * Stanzas—April, 1814 (The complete poetical works of Percy Bysshe Shelley, including materials never before printed in any edition of the poems)
 * Stanzas: Written in Dejection, Near Naples
 * Summer And Winter
 * The Aziola
 * The Cloud (1820)
 * The Daemon of the World (First Part published in 1816; first published in full in 1876)
 * The Devil's Walk
 * The False Laurel And The True
 * The Fugitives
 * The Indian Serenade (known also as Song written for an Indian Air and Lines to an Indian Air)
 * The Isle
 * The Long Past
 * The Magnetic Lady to Her Patient
 * The Mask of Anarchy
 * The Past
 * The Question
 * The Revolt of Islam
 * The Sensitive Plant (1820)
 * The Sunset
 * The Two Spirits: An Allegory
 * The Vine-shroud
 * The Waning Moon
 * The World's Wanderers
 * Time
 * To a Skylark (1820)
 * To —— ("I fear thy kisses, gentle maiden…")
 * To —— ("Music, when soft voices die…")
 * To —— ("One word is too often profaned…")
 * To —— ("When passion's trance is overpast…")
 * To Byron
 * To Coleridge
 * To Edward Williams
 * To Emilia Viviani
 * To Jane: The Invitation
 * To Jane: The Recollection
 * To Mary Shelley
 * To-morrow
 * To Night
 * To Sophia (Miss Stacey)
 * To Stella from Epigrams
 * To the Moon
 * To Wordsworth
 * Verses Addressed to the Noble and Unfortunate Lady, Emilia V--, Now Imprisoned in the Convent of-- from Epipsychidion
 * When the Lamp is Shattered
 * With a Guitar, to Jane
 * Zucca

Statue of George Washington, LL.D., 1783, Presented to the Academy of the Fine Arts.

Edward H. Coates, formerly president of the Academy of the Fine Arts, has done a very graceful thing in perpetuating in bronze and presenting to the academy the statue of George Washington, by William Rush, the wood carver, which is now in the Supreme Court room in Independence Hall. The letter of transference of Mr. Coates explains the matter very clearly and runs as follows:

To the President and Board of Directors of the Pennsylvania Academy of the Fine Arts:

Dear Sirs—In fulfillment of wishes kept in mind for several years, I beg leave to offer for your acceptance a statue cast in bronze from the full-length figure of President Washington carved by William Rush in 1812 [sic], and now in Independence Hall.

The city of Philadelphia has given authority for the unique plaster model from the original statue, and the bronze has been cast and finished by the Roman Bronze Works, of New York. Should the Board of Directors be pleased to accept the statue by William Rush, the first American sculptor, the academy, having already in its possession "Peale in His Museum," by Charles Willson Peale, and "Washington," by Rembrandt Peale, would then have in its keeping the most representative work of the three artists among the founders of the academy, to whose continued and untiring efforts we are to-day indebted for the oldest art institution in America. Faithfully yours, EDWARD H. COATES.

Mr. Coates notes that in response to the letter the academy has accepted the statue for exhibition in the permanent gallery of sculpture. For the statue and the bust, the following lines have been prepared, which tell the story of both works or art:

WILLIAM RUSH.

1756-1833.

First American Sculptor, Ship-Carver, Patriot, Mem-

ber of the City Council of Philadelphia, One

of the Founders of the Pennsylvania

Academy of the Fine Arts, 1805.

Bust by himself, first carved from a pine-knot, and now in bronze in the corridor of The Pennsylvania Academy.

STATUE OF GEORGE WASHINGTON.

First President of the United States.

By William Rush.

Purchased by the City of Philadelphia from the sculp-

tor in 1831, and now in the Supreme Court

Room of the Old State House

(Independence Hall).



"Philadelphia, April 2, 1906.

"To the Board of Directors of the Pennsylvania Academy of the Fine Arts.

Dear Sirs—After a fifth re-election, and at the end of sixteen years of service, I beg leave to tender my resignation as president and ex-officio member of the board of directors.

As is known to members of the board, it was my desire to withdraw from office when the centenary should have been reached in 1905 and the Academy should have entered upon its second century, but at that time, owing to important matters pending the action was deferred. With the close of the annual exhbitions [sic] and at the end of the present school year, the moment seems favorable for the fulfilment of my intention, and I now ask to relinquish all official duties after June 1 next.

In doing so, after a connection with the Academy, which is already longer than that of any director, save only that of the Hon. Joseph Hopkinson, one of its founders, and its second president, and with a due regard for all that the institution has accomplished, I am most impressed with the opportunities which lie in front of the management, and the work which is to be done. The progress and influence of the Pennsylvania Academy in the next decade must be larger and more important than in any which have preceded.

To have been associated with the work of the institution, and to have had any part in the vigorous and fine movement in American art which has taken place during the last twenty-five years and which continues with increasing strides, has been a high privilege and honor. Most of all I desire to express my grateful obligation for unfailing support and co-operation, without which any individual action or endeavor would have been futile, and which have always been loyally and most generously given by every member of the board of directors.

"Very faithfully yours,

(Signed).

Individual poems
Lists are not exhaustive

By participants

 * Fourth of August, 1914 by Laurence Binyon
 * France, 1914 by Cecil Edward Chesterton
 * Easter at Ypres, 1915, 1915 by Walter Scott Stuart Lyon
 * In Flanders Fields, 1915 by John McCrae
 * Oxford from the Trenches, 1915 by Lieutenant Ewart Alan Mackintosh
 * Ypres, 1915 by Lord Gorell
 * Anthem for Doomed Youth, 1917 by Wilfred Owen
 * Battle Sleep, 1917 by Edith Wharton
 * Belgium, 1917 by Edith Wharton
 * Burn up the World, 1917 by Lieutenant Leonard Van Noppen
 * The Choice, 1917 by John Masefield
 * The Connaught Rangers, 1917 by Winifred Mary Letts
 * England, 1917 by Lieutenant Leonard Van Noppen
 * Evening in England, 1917 by Lance-Corporal Francis Ledwidge
 * England to the Sea, 1914 by Robert Ernest Vernéde
 * Faith, 1917 by Robert William Service
 * A Flemish Village, 1917 by Lieutenant Herbert Asquith
 * Flower-Beds in the Tuileries, 1917 by Grace Ellery Channing
 * I Have a Rendezvous with Death, 1917 by Alan Seeger
 * Men of Verdun, 1917 by Laurence Binyon
 * A Mother Understands, 1917 by Chaplain Geoffrey Anketell Studdert Kennedy
 * The New World, 1917 by Laurence Binyon
 * The New Zealander, 1917 by Aubrey Herbert writing as "Ben Kendim"
 * Oxford in War-Time, 1917 by Laurence Binyon
 * A Song of the Irish Armies, 1917 by Lieutenant T. M. Kettle
 * The Song of the Pacifist, 1917 by Robert William Service
 * The Spires of Oxford, 1917 by Winifred Mary Letts
 * To America, 1917 by Charles Langbridge Morgan
 * To the Belgians, 1917 by Laurence Binyon
 * Dulce et Decorum Est, 1918 by Wilfred Owen

By non-participants

 * Australia to England, 1914 by Archibald Thomas Strong
 * Commandeered, 1914 by Lucy Gertrude Moberly
 * The Hour, 1914 by James Bernard Fagan
 * Hymn before Action, 1914 by Rudyard Kipling
 * Hymn in War Time, 1914 by Robert Bridges
 * The Man who Keeps his Head, 1914 by Edward Harold Begbie
 * Men who March away, 1914 by Thomas Hardy
 * Place de la Concorde, 1914 by Florence Earle Coates
 * Pro Patria, 1914 by Owen Seaman
 * The United Front, 1914 by Alfred Noyes
 * To England: To Strike Quickly, 1914 by Maurice Hewlett
 * To the Troubler of the World, 1914 by William Watson
 * The Stars in their Courses, 1914 by John Freeman
 * The Vigil, 1914 by Sir Henry Newbolt
 * Wake up, England, 1914 by Robert Bridges
 * We Willed it Not, 1914 by John Drinkwater
 * The Wife of Flanders, 1914 by Gilbert Keith Chesterton|
 * In Time of "The Breaking of Nations", 1915 by Thomas Hardy
 * Three Hills, 1915 by Everard Owen
 * To Belgium in Exile, 1915 by Sir Owen Seaman
 * At the Movies, 1916 by Florence Ripley Mastin in A Treasury of War Poetry (2nd Series)
 * The Name of France, 1916 by Henry van Dyke
 * Sweet England, 1916 by John Freeman
 * To the Oxford Men in the War, 1916 by Christopher Morley
 * Abraham Lincoln Walks at Midnight, 1917 by Vachel Lindsay
 * Advance, America!, 1917 by John Helston
 * Apocalypse, 1917 by Lieutenant-Colonel Sir Ronald Ross
 * At Last Post, 1917 by W. E. K.
 * Autumn Evening in Serbia, 1917 by Lance-Corporal Francis Ledwidge
 * The Battle of Liège, 1917 by Dana Burnet
 * Bois-Étoilé, 1917 by Ethel M. Hewitt
 * Canada to England, 1917 by Marjorie Pickthall
 * Canadians, 1917 by William Henry Ogilvie
 * A Chant of Love for England, 1917 by Helen Gray Cone
 * The Choice, 1917 by Rudyard Kipling
 * Christ in Flanders, 1917 by Lucy Foster Whitmell
 * Christmas, 1915, 1917 by Percy MacKaye
 * The Death of Peace, 1917 by Lieutenant-Colonel Sir Ronald Ross
 * England to Free Men, 1917 by John Galsworthy
 * England Yet, 1917 by Henry Lawson
 * Expeditional, 1917 by Charles William Brodribb
 * Farewell to Anzac, 1917 by Cicely Fox Smith
 * Fighting Hard, 1917 by Henry Lawson
 * The First Battle of Ypres, 1917 by Margaret Louisa Woods
 * For all we have and are, 1917 by Rudyard Kipling
 * The Fool Rings his Bells, 1917 by Walter de la Mare
 * The Fourth of July, 1776, 1917 by Maurice Hewlett
 * Fulfilment, 1917 by Gretchen Osgood Warren
 * The Ghosts of Oxford, 1917 by W. Snow
 * Gods of War, 1917 by George William Russell
 * Going to the Front, 1917 by Hardwicke Drummond Rawnsley
 * The Guns in Sussex, 1917 by Sir Arthur Conan Doyle
 * Guns of Verdun, 1917 by Patrick R. Chalmers
 * The Heroes, 1917 by Mabel Forrest
 * The Hidden Weaver, 1917 by Odell Shepard
 * Highland Night by Isabel Westcott Harper
 * The Homecoming of the Sheep, 1917 by Lance-Corporal Francis Ledwidge
 * Italy in Arms, 1917 by Clinton Scollard
 * It Will be a Hard Winter, 1917 by Olive Tilford Dargan
 * Jimmy Doane, 1917 by Rowland Thirlmere
 * The Kaiser and Belgium, 1917 by Stephen Phillips
 * Kaiser and Councillor, 1917 by Stuart Pratt Sherman
 * The Kaiser and God, 1917 by Barry Pain
 * Langemarck, 1917 by William Wilfred Campbell
 * Life and Death, 1917 by Carroll Carstairs
 * Lines written in Surrey, 1917, 1917 by George Herbert Clarke
 * Lochaber no More, 1917 by Neil Munro
 * A Lost Land, 1917 by Kathleen Knox
 * Moira's Keening, 1917 by Norreys Jephson O'Conor
 * Napoleon, 1917 by Gamaliel Bradford
 * The New Ally, 1917 by Harry Kemp
 * Niagara, 1917 by Nicholas Vachel Lindsay
 * Non-Combatants, 1917 by Evelyn Underhill
 * Of Greatham, 1917 by John Drinkwater
 * On the Italian Front, MCMXVI, 1917 by George Edward Woodberry
 * Oxford revisited in War-Time, 1917 by Tertius van Dyke
 * Pipes in Arras, 1917 by Neil Munro
 * Princeton May, 1917, 1917 by Alfred Noyes
 * Queenslanders, 1917 by William Henry Ogilvie
 * The Ragged Stone, 1917 by Wilfrid Wilson Gibson
 * The Red Christmas, 1917 by William Henry Draper
 * The Road to Dieppe, 1917 by John Huston Finley
 * Roumania, 1917 by George Edward Woodberry
 * Ruins, 1917 by George Herbert Clarke
 * Saint George of England, 1917 by Cicely Fox Smith
 * St. George's Day, 1915 by Henry Newbolt in A Treasury of War Poetry (2nd Series)
 * The Searchlights, 1917 by Alfred Noyes
 * Sedan, 1917 by Hilaire Belloc
 * Serbia, 1917 by Florence Earle Coates
 * Shadows and Lights, 1917 by George William Russell
 * The Soldier Speaks, 1917 by John Galsworthy
 * Song of the Dardanelles, 1917 by Henry Lawson
 * Sonnets Written in the Autumn of 1914, 1917 by George Edward Woodberry
 * The Stars in their Courses, 1914 by John Freeman
 * The Steeple, 1917 by Patrick Reginald Chalmers
 * Subalterns, 1917 by Mildred Huxley
 * A Summer Morning, 1917 by Clinton Scollard
 * The Superman, 1917 by Robert Grant
 * Then and Now, 1917 by Thomas Hardy
 * There Will Come Soft Rains, 1917 by Sara Teasdale
 * To America, 1917 by Morley Roberts
 * To America in War Time, 1917 by Oscar W. Firkins
 * To Fellow Travellers in Greece, 1917 by William Macneile Dixon
 * To France, 1917 by Herbert Jones
 * To Italy, 1917 by Moray Dalton
 * To my Pupils, Gone before Their Day, 1917 by Guy Kendall
 * To the United States of America, 1917 by Robert Bridges
 * The Valleys of the Blue Shrouds, 1917 by John Huston Finley
 * These Shall Prevail, 1917 by Theodosia Garrison
 * Verdun, 1917 by Eden Phillpotts
 * The Vision of Spring, 1916, 1917 by Henry Howarth Bashford
 * Vive la France!, 1917 by Charlotte Holmes Crawford
 * The War Cry of the Eagles, 1917 by Bliss Carman
 * The War Films, 1917 by Sir Henry Newbolt
 * We Willed it not, 1917 by John Drinkwater
 * Ypres Tower, Rye, 1917 by Everard Owen
 * The Infantry that Would Not Yield, 1918 by Florence Earle Coates
 * Napoleon's Tomb, 1918 by Dana Burnet
 * The Peaceful Warrior, 1918 by Henry van Dyke
 * Old War, 1919 by Arthur L. Phelps in A Treasury of War Poetry (2nd Series)
 * Private Magrath of the A.E.F, 1927 by Robert Ervin Howard