The Magnificent Ambersons/Chapter XIV

“Almost” was Lucy's last word on the last night of George's vacation—that vital evening which she had half consented to agree upon for “settling things” between them. “Almost engaged,” she meant. And George, discontented with the “almost,” but contented that she seemed glad to wear a sapphire locket with a tiny photograph of George Amberson Minafer inside it, found himself wonderful in a new world at the final instant of their parting. For, after declining to let him kiss her “good-bye,” as if his desire for such a ceremony were the most preposterous absurdity in the world, she had leaned suddenly close to him and left upon his cheek the veriest feather from a fairy's wing.

She wrote him a month later:

George immediately seized pen and paper, plaintively but vigorously requesting Lucy not to imagine him with a beard, distinguished or otherwise, even in the extremities of age. Then, after inscribing his protest in the matter of this visioned beard, he concluded his missive in a tone mollified to tenderness, and proceeded to read a letter from his mother which had reached him simultaneously with Lucy's. Isabel wrote from Asheville, where she had just arrived with her husband.

But she did not keep her husband there for the six weeks she anticipated. She did not keep him anywhere that long. Three weeks after writing this letter, she telegraphed suddenly to George that they were leaving for home at once; and four days later, when he and a friend came whistling into his study, from lunch at the club, he found another telegram upon his desk.

He read it twice before he comprehended its import.

The friend saw the change in his face. “Not bad news?”

George lifted utterly dumfounded eyes from the yellow paper.

“My father,” he said weakly. “She says—she says he's dead. I've got to go home.”

...His Uncle George and the Major met him at the station when he arrived—the first time the Major had ever come to meet his grandson. The old gentleman sat in his closed carriage (which still needed paint) at the entrance to the station, but he got out and advanced to grasp George's hand tremulously, when the latter appeared. “Poor fellow!” he said, and patted him repeatedly upon the shoulder. “Poor fellow! Poor Georgie!”

George had not yet come to a full realization of his loss: so far, his condition was merely dazed; and as the Major continued to pat him, murmuring “Poor fellow!” over and over, George was seized by an almost irresistible impulse to tell his grandfather that he was not a poodle. But he said “Thanks,” in a low voice, and got into the carriage, his two relatives following with deferential sympathy. He noticed that the Major's tremulousness did not disappear, as they drove up the street, and that he seemed much feebler than during the summer. Principally, however, George was concerned with his own emotion, or rather, with his lack of emotion; and the anxious sympathy of his grandfather and his uncle made him feel hypocritical. He was not grief-stricken; but he felt that he ought to be, and, with a secret shame, concealed his callousness beneath an affectation of solemnity.

But when he was taken into the room where lay what was left of Wilbur Minafer, George had no longer to pretend; his grief was sufficient. It needed only the sight of that forever inert semblance of the quiet man who had been always so quiet a part of his son's life—so quiet a part that George had seldom been consciously aware that his father was indeed a part of his life. As the figure lay there, its very quietness was what was most lifelike; and suddenly it struck George hard. And in that unexpected, racking grief of his son, Wilbur Minafer became more vividly George's father than he had ever been in life.

When George left the room, his arm was about his black-robed mother, his shoulders were still shaken with sobs. He leaned upon his mother; she gently comforted him; and presently he recovered his composure and became self-conscious enough to wonder if he had not been making an unmanly display of himself. “I'm all right again, mother,” he said awkwardly. “Don't worry about me: you'd better go lie down, or something; you look pretty pale.”

Isabel did look pretty pale, but not ghastly pale, as Fanny did. Fanny's grief was overwhelming; she stayed in her room, and George did not see her until the next day, a few minutes before the funeral, when her haggard face appalled him. But by this time he was quite himself again, and during the short service in the cemetery his thoughts even wandered so far as to permit him a feeling of regret not directly connected with his father. Beyond the open flower-walled grave was a mound where new grass grew; and here lay his great-uncle, old John Minafer, who had died the previous autumn; and beyond this were the graves of George's grandfather and grandmother Minafer, and of his grandfather Minafer's second wife, and her three sons, George's half-uncles, who had been drowned together in a canoe accident when George was a child—Fanny was the last of the family. Next beyond was the Amberson family lot, where lay the Major's wife and their sons Henry and Milton, uncles whom George dimly remembered; and beside them lay Isabel's older sister, his Aunt Estelle, who had died, in her girlhood, long before George was born. The Minafer monument was a granite block, with the name chiseled upon its one polished side, and the Amberson monument was a white marble shaft taller than any other in that neighbourhood. But farther on there was a newer section of the cemetery, an addition which had been thrown open to occupancy only a few years before, after dexterous modern treatment by a landscape specialist. There were some large new mausoleums here, and shafts taller than the Ambersons', as well as a number of monuments of some sculptural pretentiousness; and altogether the new section appeared to be a more fashionable and important quarter than that older one which contained the Amberson and Minafer lots. This was what caused George's regret, during the moment or two when his mind strayed from his father and the reading of the service.

... On the train, going back to college, ten days later, this regret (though it was as much an annoyance as a regret) recurred to his mind, and a feeling developed within him that the new quarter of the cemetery was in bad taste—not architecturally or sculpturally perhaps, but in presumption: it seemed to flaunt a kind of parvenu ignorance, as if it were actually pleased to be unaware that all the aristocratic and really important families were buried in the old section.

The annoyance gave way before a recollection of the sweet mournfulness of his mother's face, as she had said good-bye to him at the station, and of how lovely she looked in her mourning. He thought of Lucy, whom he had seen only twice, and he could not help feeling that in these quiet interviews he had appeared to her as tinged with heroism—she had shown, rather than said, how brave she thought him in his sorrow. But what came most vividly to George's mind, during these retrospections, was the despairing face of his Aunt Fanny. Again and again he thought of it; he could not avoid its haunting. And for days, after he got back to college, the stricken likeness of Fanny would appear before him unexpectedly, and without a cause that he could trace in his immediately previous thoughts. Her grief had been so silent, yet it had so amazed him.

George felt more and more compassion for this ancient antagonist of his, and he wrote to his mother about her: