The Little French Girl/Part 4/Chapter 6

, as he leaned out of the train, almost expected to see the white form of madame Vervier awaiting him on the platform as she had awaited him and Alix last year. His heart then had been like a load in his side, and how much heavier was the clogging weight upon it now; but, from the fact that his sensations were so much the same, all the pageant of last year's arrival was summoned back into his memory with its climax in Hélène Vervier's uplifted gaze. But she was not there. On the sunny platform it was Alix and André de Valenbois who stood side by side looking towards the train, and Giles knew that it was sheer terror that he felt as he saw them there together. Something in their stillness, their silence, made part of it. Tall and white they stood, side by side, and in their demeanour he read, with the sharp intuition of a first impression, the curious quality of a constraint that expressed at once familiarity and withdrawal. They stood so still because they did not care to stroll up and down together, and they were silent because there was nothing that they could say. Was it already as bad as that? Giles asked himself, feeling the hot blood of the surmise beating up into his neck and mounting to his face as he turned to pick up his bag and gather his coat over his arm.

If it was as bad as that, André, at all events, could assume his old air of unclouded radiancy. His eyes knew no shadow; his voice no hesitancy. Delicate, sweet, sharp, able to do what he liked, with himself and others, he was ready for any encounter, and Giles even imagined, as he stepped down before them, a touch of sullen anger running a darker vein along the heat in his blood, that André looked upon his English friend as offering little complexity or difficulty. With people so simple, so guileless, so ridiculous—for would not André see him as rather ridiculous?—nothing more was really needed than a light hand on the rein and the easiest of eyes on the landscape. They would go just where one wished and see as much or as little as one intended them to see. “Not so simple as you think, perhaps, my friend,” Giles was saying to himself. But to know that he might see things that André would not suspect him of seeing did not exercise the sickness in his blood. At the same time, underneath everything, he was astonished, in a side glance as it were, to see that he was not hating him; was still feeling him charming.

“Here we all are, then, again. What a triumph over destiny!” was what André was saying—and it was on him that Giles kept his eyes. He felt that he must pull himself well together before looking at Alix.—“I never expect happy things to repeat themselves.”

“No more they do,” thought Giles. But he could play up. “Is it all the same as last year?”

“Exactly the same; but for the absence of Jules. Even your old friend madame Dumont survives and is eagerly awaiting your arrival.”

“Still there, is she?” said Giles. “I'm not surprised. Unhappy things, at all events, repeat themselves.”

“Oh,” laughed André, “your standard is too high.—I, more easily contented, should count the old lady a very amusing piece of bric-à-brac. We must have a furnished world, you know.—There is room for all sorts of oddities.”

“No room at all, for that sort, in my world,” Giles returned.

They were walking, Alix between them, to the car outside and he could glance at her. Rather than the constraint he had guessed at it was now the cold dignity of complete self-mastery her profile showed him. He knew that she had smiled at him—and had it not been with her old sweetness?—when he had greeted her; but he felt, as they went thus together, he, she, and André, that chasms lay between him and Alix. Seas lay between them; race and tongue. Her voice came back to him as she had said, last year when he had found her again, “But I am French.” Only it was so much more now just that old difference. Her calm could not hide from him how much more it was that lay between them. And what did it hide from André? How was it possible, if deep instinct or the new knowledge of her mother's life had not armed her against him, that she should not love him? Jerry was a boy beside him; beside the power of André's beautifully possessed, beautifully balanced experience, Jerry would always seem a boy. He remembered, snatching still at hope, that Alix had found such completeness agaçant; but then she might not really like him even now. It might be some helpless hereditary strain that had brought her, her young heart proudly pruned of its first happy buddings, under the spell of the love that monsieur de Maubert had defined on the distant Summer day; the love that burns itself out and that may have nothing to do with liking.

She had said no word as yet, but as they emerged into the sunny place she remarked that she had to buy a baba-au-rhum for tea and asked André to drive them across to the pâtissier's.

“Alix is sad,” André observed when she had disappeared into the little shop, where cakes blandly masked in chocolate, cakes touched with rosettes of pistachio, cakes crusted over their glitter with crisp nuts, were placed enticingly on crystal stands in the window. “Her cat was run over yesterday by a motor. The very ugly cat;—you know him well, of course. It was an instantaneous death, but her mother says that she takes it much to heart. Elle a un gros chagrin,” said André.

“Poor Blaise dead.—Oh, I'm sorry,” said Giles. But he drew a dim comfort from the news. There might be other and more childish reasons for Alix's aloofness. He knew how remote and stern she could look when controlling tears.

Now that Alix was grown up, now that she was so obviously a beautiful young girl, he noted that André made no comments on her appearance, though it was hardly likely that he would remark it less. It was courageous of madame Vervier to have them there together; though, in spite of the fear he had seen so plainly in her, it might well be that the special fear had never occurred to her. Sitting there in the French sunlight, Giles felt again his old sense of astonishment that such computations should, so inevitably, on this soil, occur to him; that he should feel himself, with whatever moral bitterness, accepting situations that could hardly, in England, present themselves to his imagination. He felt himself immersed in madame Vervier's milieu; he felt himself implicated, for was one not implicated when one still felt all its members charming? But one could not pretend to understand the French unless one recognized in such situations the workings of a drama to them commonplace. That special terrible roman-à-trois of mother, lover, and daughter, might not arise among the bien pensants of the nation; but the bien pensants themselves would accept it as a commonplace. They all accepted love as a devastating natural force, overriding, where no barriers of creed were there to withstand it, the scruples and inhibitions of taste and principle. They all saw love, unless it were the duly stamped and docketed love of the Church, as Vénus toute entière à sa proie attachée.

And with this moral difference there went the difference in everything;—the sunlight and the shadows, the streets, the houses, and the people. Sunlight and shadows were blue-and-gold, strong and deep, and the forms they defined revealed, under their spell, a classic harmony. The people passing, intent on business, or sitting in front of the cafés, at ease in idleness, saw idleness and work as two quite different things, not to be confused; each yielding its own savour, its own satisfaction. The sense of savour, of satisfaction everywhere; of life as its own justification. The very smell, warm, golden, balmy, wafted towards him from the pâtissier's was such as no pastry-cook's shop in England could ever yield; a dank surmise of suet and strong tea would there hang about it and none of the cakes would give one the same confidence of tasting as good as they looked. Why was it, Giles wondered, as Alix came out with her flat-bottomed, cone-shaped, snowy little parcel, saying as she stepped in beside him: “It is in honour of your arrival, Giles, the baba. Maman remembered that you liked them last summer.”—For no girl in England would look like Alix.

It was not only that she spoke and moved as they did not and that her clothes were differently adjusted. These signs were only the expression of a deeper divergence. Her face, still almost the face of a child, had, notwithstanding, an almost alarming maturity. It was at once more primitive and more civilized than English faces, but the primitiveness was nothing shapeless or unpredictable; it was preserved and used; it was, perhaps, only a deeper layer of civilization. Druidess or, who could tell which underlay the something resistant, enduring, in the structure of her head, sweet in glance as an Alpine flower, remote and inaccessible as the mountain?—and, glancing at her as she sat beside him, Giles could gauge something of the change in his own feeling towards her by the fact that he was afraid of Alix. Not only that; France had already done more to him; for it was as if he were afraid of himself, too. As they sped out into the radiant landscape and he felt the breeze blow strong and sweet from the sea, he was aware of currents of strange feeling in the tide which bore him; bitter, dark, delicious, and tumultuous.

“I am dreadfully sorry about Blaise,” he said—“André was telling me.”

“Yes,” said Alix, looking down at her parcel, “it is sad.”

“The comfort is that he had a very happy life,” said Giles, feeling foolish, for indeed he was not thinking of poor Blaise.

“I never feel that a comfort,” said Alix. “I think it most sad of all; that happiness should end.”

To this Giles found no answer.

“And have you taken your degree, Giles?” Alix inquired, with the air of leaving an untimely subject. “Are you now a distinguished philosopher?”

“Well, I've taken my First all right,” said Giles. “I've done pretty well. Next term will see me settled in Oxford. But it will need a great many years, I am afraid, to make me distinguished.”

“And where will you live?” Alix inquired. “Still in the same rooms, high up, looking at those rather sad grey stones?”

“Oh, I shall be a Fellow of my College and have rather beautiful rooms; quite a vast sitting-room looking on a beautiful garden. I'll be rather a swell. You'll be surprised when you see.”

“Oh, I am glad of that,” said Alix, smiling and passing by his allusion to her return. “And there, in the beautiful rooms, you'll teach philosophy for the rest of your life?”

“Well, I expect I shall. And write it, you know; and play cricket, and sing in the Bach choir. Sometimes I'll go up to London and see pictures and a play; in the Summers I'll walk round the Cornish coast or climb Welsh mountains. It's just the life that suits me.”

“Yes. It will suit you admirably,” said Alix.

André, white against the blue, drove in front of them and, turning his head, smiling, he now observed: “Alix has been reading philosophy of late. She must tell you. She has been reading Bergson.”

“I find him interesting, but I'm afraid that I do not understand him,” said Alix, and Giles saw that she slightly flushed as André thus addressed them.

“He's far too difficult to begin on,” said Giles. “He's not for the beginning at all; he's for the very end.”

“But I thought that was just his point, that he started at the very beginning,” said Alix—“with germs, or atoms, or small things like that.”

“Ah, those are the things one should end with,” Giles assured her, “because, you see, they are the furthest away from us. The beginning is an idea, and the end is an atom. You can't understand an atom, that is, until you understand an idea. If you'll come to Oxford and let me teach you, I'll land you safely in Bergson after three years.”

“No; I shall read no more philosophy,” said Alix. “I shall not go as far as ideas or atoms in either direction. I shall stay in between. All the nicest things are in between, I believe.”

“Bravo! Bravo!” André smiled round at her, and Giles could not interpret his smile. Alix did not reply. She turned her head and looked out over the plains.

Vaudettes-sur-Mer in its palisades of trees was before them now, painted in delicate washes of colour against the sky. “It looks like the beginning of a fairy-tale, doesn't it,” said Giles and brought Alix's eyes to Vaudettes.

“Yes, like the place children find on the front page,” she said. “And a happy fairy-tale, isn't it?”

“But it can't have the real fairy-tale pang and flavour to you,” said Giles. “It's a place I find, but can never keep. You wake up to it and I wake up out of it. It's my dream and your reality.”

“But you can keep it, Giles, as much as the Cornish coast, or the Welsh mountains,” smiled Alix, “as much as we keep it, really;—for it is our fairy-tale, too.—You have only to come back and find us in it,” said Alix, and, while she looked before her steadily, he almost thought he saw a hint of tears in her eyes, as though what he said of her loved Vaudettes touched her too deeply. Did she see in it the fairy-tale place of childhood never to be regained?

It was, as it had been last year at Les Chardonnerets, a blue and golden day. The gulls were floating past on a level with the cliff-top and on the verandah were monsieur de Maubert and madame Vervier.

They had passed through the wind-bent thickets and seen the sunny flags with their oleanders and smelt again the fairy-tale smell Giles so passionately remembered. But—he knew it as he came out on to the stage, as it were, of the drama—the fairy-tale was spoiled for ever. Madame Vervier had been its centre; the wine-like sweetness of her smile, her Circe security, had been its atmosphere. And now the magic was broken. He could see nothing else as she came forward to greet them, so lovely, lovelier than ever to his eyes, so kind and simple, welcoming back with her wide, enveloping gaze the friend who knew so much.

“We have watched your crossing,” said monsieur de Maubert, as the greetings passed, “in imagination. It has been a sea of glass. A sea for the Venus of Botticelli on her shell.—You rise before us in a guise even more welcome than that of the amiable goddess.”

Monsieur de Maubert also was changed, though Giles had no time just then for more than a passing glance at the recognition. He spoke with a certain heaviness; as though he came forward to lend a hand.

“A kind young Englishman in tweeds is, I can assure him, far more pleasing to me than any Venus ever painted by Botticelli,” smiled madame Vervier.

“Giles has become a great philosopher, Maman,” said Alix. She untied her baba at the table and placed it carefully on a plate in its little pasteboard dish.

“He always was a great philosopher,” smiled madame Vervier. “He is the wisest young man, as well as the kindest, that I have ever known.”

“Ah, but it is now a professional wisdom as well,” said Alix.

Albertine, with a saturnine smile of welcome for Giles, brought out the tea and madame Vervier took her place at the table.

Everything in her loveliness was altered and, as he looked at her, with surreptitious glances, aware, so strangely, that André was looking at him, Giles suddenly felt that it made him think of the alteration in Toppie's face. She, like Toppie, had drunk tears night after night; she had seen the truth and been shattered by it; and she, like Toppie, was built up again. A drift of lilac went behind her head in his imagination while the link so marvellously bound them together. For had she, too, not relinquished? It was as Alix had said it would be. She had guessed everything. Yet, though so wan, so careful, so oppressed, she was serene. Her strength, her security, even, was still there, but disenchanted, turned to other uses.

“I feel it so strange that English people should be philosophers,” she said. Giles saw that she intended them all to talk.

“Do you think it too reasonable a pursuit for such an irrational people as we are?” he asked.

“Yes. Just that. You are a people who improvise as you go. To philosophize would have been, I should imagine, against the genius of your race.”

“Oh, we're not all of us, all the time, lurching along on mere instinct. We do, some of us,” said Giles, “stop, now and then, and reflect.”

“But lurching becomes you,” André at this put in. “You lurch, as a rule, in the right direction—for yourselves. Look at your Empire,” he smiled, taking a slice of baba, “all made up of lurches and success.”

“We planned to have India, you will remember,” Alix, at this, suddenly remarked. “We planned and even plotted it. It was only as they worked as best they could against our plots that the English won it, not intending to have an Indian Empire at all.—I always like that. That always seems to me just. And history is so seldom just.”

Giles felt that the eyes of her mother and compatriots were turned upon her, as she made this statement, with a certain astonishment. “And I think it is rather noble of those who do reflect,” Alix went on, calmly, knowing evidently what she thought of the question in its national and its personal applications; “for the others, those who lurch and make the Empire, can pay so little attention to you. It is very disinterested.”

“We practise philosophy for our own satisfaction, what?” Giles laughed, though aware of ambiguous cross-currents. “I'm glad you find us noble.”

“She is quite right, mon ami,” André said cordially. “You are a race of adventurers. And it is as adventurous to reflect among a people indifferent to thought as it is to set forth with a bundle on your back and conquer a continent by chance. You are a people, in other words, who do not need to see your goal.”

“But you prefer your own rationality,” said Giles.

“I prefer it; yes. I distrust instinct; perhaps because in our history, as mademoiselle Alix has pointed out, we have so often been foiled by it. I don't see it as innocent, you know. I see it as crafty. As craftier far than our open-eyed planning. And, apart from large questions of national destiny, it is, I think, more comfortable to live among a people all of whom reflect, if only a little, and all of whom know where they want to get to. Our horizon is more restricted, but because we see the frame we can fit our picture into it. Life with you, over there across the Channel, for all your charm and force, is essentially confused and haphazard. It goes through everything; from your younger sons, flung out to swim or sink as best they can, to your towns and your Shakespeare. You may, in one sense, beat us; but in another we have, I think, the advantage. You take in more, but you don't know what to make of it. To make all that can be made of the time and space at our disposal, that is our wisdom, mon cher Giles, and can there be a better one?”

“And what is the time and space at our disposal?” Giles felt Alix's eyes upon them. He did not quite know what he was defending or against whom he was defending it; but it felt to him as if he were upholding England, and all he wanted Alix to gain from England, against all he feared for her in France.

“What we can make use of, what we can see and understand,” said André promptly. “It's because of our sobriety that we French are capable of living a life beautiful in itself; a self-justifying life. We know how to use life; we know how to shape it. The very workman, sitting at midday in his café, makes a ritual of his meal of sheep's trotters and sour red wine. The frotteur enjoys the polish he puts on the parquet, and the bonne enjoys her bed-making and dusting. We don't do things because of something else; we do them because we find them in themselves enjoyable.”

“Yes. It's true.” Giles was thinking of the French sunlight; of monsieur de Maubert's philosophy; of the pâtissier's. The difference went down to the very roots of things. “We are discontented and clumsy and romantic, compared to you; it's our very religion to be discontented, with ourselves and what we can see. We are rebels; that's what it comes to. Rebels are the people who refuse the seen for the unseen.”

“And yet who pick up the seen, in their stride, as it were, and then don't know what to make of it.—It is that with which we reproach you. You spoil one world in trying to reach the other.”

“Ah, these are themes too profound for my tea-table,” madame Vervier interposed, while Giles, meeting André's eye, felt, suddenly, something challenging, sword-like, beneath its blue smile. “We will not pass from history to metaphysics, if you please. Are you tired, Giles? Will you rest? I have some letters to write for the post. After that we might have a little walk if you felt so inclined.”

Giles said there was nothing he would like better. He would unpack and rest a little and then join her.

She was in the salon with mademoiselle Fontaine when he came down half an hour later, and on the verandah monsieur de Maubert sat alone, heavily, Giles still felt, in his sunny corner; not reading; looking out at the sea. Giles was aware of feeling sorry for him; but he did not want to talk to monsieur de Maubert. He went out quietly at the back of the house, and wandered through the garden, finding himself suddenly, as he came to the gate, bareheaded, his hands in his pockets, face to face with old madame Dumont and madame Collet. They sat in a small wicker pony-chaise drawn by a ruminant stout pony, and Giles inferred, since there was only room for two that mademoiselle Fontaine had walked beside the pony's head, taking her parents out thus for a peaceful airing. They waited at the gate for her.

''“Ah. C'est monsieur Gilles,”'' madame Collet simpered. “You remember monsieur Gilles, Maman.”

Madame Dumont was not much altered. The vulture-like poise of her head was perhaps more sunken, and her raven eye less piercing; but a light came to it as she saw him; an old resentment and a present glee. “Charmée, monsieur, charmée de vous revoir,” she assured him, and as her eye measured the morsel thus presented to its greed Giles seemed to see the vulture roused and rustling its feathers. “You are just arrived?”

Giles told her that he was.

“You find your friends again,” said madame Dumont, and there was a quaking note of hurry in the majesty of her tones. “You will, however, find them changed.—Ah, changes are sad; disastrous. She has had much to bear. It tells; it tells upon her. You find madame Vervier aged? Altered? Sadly altered?”

“I see no alteration at all,” said Giles grimly, his eye turning on madame Collet, who murmured a low word of protest to her mother. But madame Dumont was not to be curbed. She leaned from the chaise and laid her lean hand in its black silk mitt on Giles's arm. “Il l'a lachée,” she said in a harsh whisper. “Il va se marier.”

“Maman; Maman,” madame Collet urgently whispered, casting a helpless glance at Giles. “You must not thus repeat gossip about our friend. Monsieur Gilles will not know what to think of you. Do not heed her, Monsieur.—She is so very old.”

“What are these manners! To whom are you speaking! Old! I am old, indeed, if I must thus accept impertinences from my daughter!” Madame Dumont thundered, turning a terrible glance upon her child.

“Mais Maman, Maman, je ne veux pas vous offenser!” Giles heard poor little madame Collet plead as he hastily muttered an adieu and fled from them.

In the door he nearly collided with mademoiselle Blanche. If madame Vervier was altered, mademoiselle Blanche was more so. Suddenly, looking at her chalk-white mask, glittering there in the sunlight, Giles saw the catastrophe that had befallen them all with a cruel sharpness that the side-issues of a situation may sometimes display more cuttingly than its centre. In mademoiselle Blanche's face he read that any reversionary hopes she might have cherished were withered. It was not to her that André had turned. He would never turn to her. He had been sorry for monsieur de Maubert, sitting in his patch of sunlight; and he was sorry now for mademoiselle Blanche. She had a brilliant smile for him. Her scarlet mouth made him feel sick. He promised her, did he not, to have tea with them one day. Giles said he was afraid he had only a very little time to spend at Les Chardonnerets this year.

“You have come to take mademoiselle Alix from us again?” smiled mademoiselle Blanche, the cold flame of her eye traversing him, so that he saw again, in a direful flash of prescience, that in old age her eye would be like her grandmother's. “You once more carry off our lovely little Persephone?”

How mademoiselle Blanche desired that he would! The fear that circled round Giles fastened a tentacle in his heart as he saw how mademoiselle Blanche, all hopeless as she must be, feared Alix's presence.

“I'm afraid not; I'm afraid I shall have to leave her where she wants to be—with her mother,” he said, feeling a slow red mount to his face as he saw all the things in mademoiselle Blanche that she did not want him to see. For one strange shuffling moment the pretences between them fell, and mademoiselle Blanche looked hard at him, looked as one human being may look at another, with deep inquiry and surmise. Then, murmuring a hasty farewell, she fled, a white marionette, down the path between the nasturtiums.