The Last Asset/Chapter 7

MR. NEWELL'S consent brought with it no accompanying concessions. In the first flush of his success Garnett had pictured himself as bringing together the father and daughter, and hovering in an attitude of benediction over a family group in which Mrs. Newell did not very distinctly figure.

But Mr. Newell's conditions were inflexible. He would "see the thing through" for his daughter's sake; but he stipulated that in the meantime there should be no meetings or farther communications of any kind. He agreed to be ready when Garnett called for him, at the appointed hour on the wedding-day; but until then he begged to be left alone. To this decision he adhered immovably, and when Garnett conveyed it to Hermione she accepted it with a deep look of understanding. As for Mrs. Newell she was too much engrossed in the nuptial preparations to give her husband another thought. She had gained her point, she had disarmed her foes, and in the first flush of success she had no time to remember by what means her victory had been won. Even Garnett's services received little recognition, unless he found them sufficiently compensated by the new look in Hermione's eyes.

The principal figures in Mrs. Newell's foreground were the Woolsey Hubbards and Baron Schenkelderff. With these she was in hourly consultation, and Mrs. Hubbard went about aureoled with the importance of her close connection with an "aristocratic marriage," and dazzled by the Baron's familiarity with the intricacies of the Almanach de Gotha. In his society and Mrs. Newell's, Mrs. Hubbard evidently felt that she had penetrated to the sacred precincts where "the right thing" flourished in its native soil. As for Hermione, her look of happiness had returned, but with an undertint of melancholy, visible perhaps only to Garnett, but to him always hauntingly present. Outwardly she sank back into her passive self, resigned to serve as the brilliant lay-figure on which Mrs. Newell hung the trophies of conquest. Preparations for the wedding were zealously pressed. Mrs. Newell knew the danger of giving people time to think things over, and her fears about her husband being allayed, she began to [87] dread a new attempt at evasion on the part of the bridegroom's family.

"The sooner it's over the sounder I shall sleep!" she declared to Garnett; and all the mitigations of art could not conceal the fact that she was desperately in need of that restorative. There were moments, indeed, when he was sorrier for her than for her husband or her daughter; so black and unfathomable appeared the abyss into which she must slip back if she lost her hold on this last spar of safety.

But she did not lose her hold; his own experience, as well as her husband's declaration, might have told him that she always got what she wanted. How much she had wanted this particular thing was shown by the way in which, on the last day, when all peril was over, she bloomed out in renovated splendour. It gave Garnett a shivering sense of the ugliness of the alternative which had confronted her.

The day came; the showy coupe provided by Mrs. Newell presented itself punctually at Garnett's door, and the young man entered it and drove to the rue Panonceaus. It was a little melancholy back street, with lean old houses sweating rust and damp, and glimpses of pit-life gardens, black and sunless, between walls bristling with iron spikes. On the narrow pavement a blind man pottered along led by a red-eyed poodle: a little farther on a dishevelled woman sat grinding coffee on the threshold of a _buvette_. The bridal carriage stopped before one of the doorways, with a clatter of hoofs and harness which drew the neighbourhood to its windows, and Garnett started to mount the ill-smelling stairs to the fourth floor, on which he learned from the _concierge _that Mr. Newell lodged. But half-way up he met the latter descending, and they turned and went down together.

Hermione's parent wore his usual imperturbable look, and his eye seemed as full as ever of generalisations on human folly; but there was something oddly shrunken and submerged in his appearance, as though he had grown smaller or his clothes larger. And on the last hypothesis Garnett paused--for it became evident to him that Mr. Newell had hired his dress-suit.

Seated at the young man's side on the satin cushions, he remained silent while the carriage rolled smoothly and rapidly through the net-work of streets leading to the Boulevard Saint-Germain; only once he remarked, glancing at the elaborate fittings of the coupe: "Is this Mrs. Newell's carriage?"

"I believe so--yes," Garnett assented, with the guilty sense that in defining that lady's possessions it was impossible not to trespass on those of her friends.

Mr. Newell made no farther comment, but presently requested his companion to rehearse to him once more the exact duties which were to devolve on him during the coming ceremony. Having mastered these he remained silent, fixing a dry speculative eye on the panorama of the brilliant streets, till the carriage drew up at the entrance of Saint Philippe du Roule.

With the same air of composure he followed his guide through the mob of spectators, and up the crimson velvet steps, at the head of which, but for a word from Garnett, a formidable Suisse, glittering with cocked hat and mace, would have checked the advance of the small crumpled figure so oddly out of keeping with the magnificence of the bridal party. The French fashion prescribing that the family _cortege _shall follow the bride to the altar, the vestibule of the church was thronged with the participatore in the coming procession; but if Mr. Newell felt any nervousness at his sudden projection into this unfamiliar group, nothing in his look or manner betrayed it. He stood beside Garnett till a white-favoured carriage, dashing up to the church with a superlative glitter of highly groomed horseflesh and silver-plated harness, deposited the snowy apparition of the bride, supported by her mother; then, as Hermione entered the vestibule, he went forward quietly to meet her.

The girl, wrapped in the haze of her bridal veil, and a little confused, perhaps, by the anticipation of the meeting, paused a moment, as if in doubt, before the small oddly-clad figure which blocked her path--a horrible moment to Garnett, who felt a pang of misery at this satire on the infallibility of the filial instinct. He longed to make some sign, to break in some way the pause of uncertainty; but before he could move he saw Mrs. Newell give her daughter a sharp push, he saw a blush of compunction flood Hermione's face, and the girl, throwing back her veil, bent her tall head and flung her arms about her father.

Mr. Newell emerged unshaken from the embrace: it seemed to have no effect beyond giving an odder twist to his tie. He stood beside his daughter till the church doors were thrown open; then, at a sign from the verger, he gave her his arm, and the strange couple, with the long train of fashion and finery behind them, started on their march to the altar.

Garnett had already slipped into the church and secured a post of vantage which gave him a side-view over the assemblage. The building was thronged--Mrs. Newell had attained her ambition and given Hermione a smart wedding. Garnett's eye travelled curiously from one group to another--from the numerous representatives of the bridegroom's family, all stamped with the same air of somewhat dowdy distinction, the air of having had their thinking done for them for so long that they could no longer perform the act individually, and the heterogeneous company of Mrs. Newell's friends, who presented, on the opposite side of the nave, every variety of individual conviction in dress and conduct. Of the two groups the latter was decidedly the more interesting to Garnett, who observed that it comprised not only such recent acquisitions as the Woolsey Hubbards and the Baron, but also sundry more important figures which of late had faded to the verse of Mrs. Newell's horizon. Hermione's marriage had drawn them back, bad once more made her mother a social entity, had in short already accomplished the object for which it had been planned and executed.

And as he looked about him Garnett saw that all the other actors in the show faded into insignificance beside the dominant figure of Mrs. Newell, became mere marionettes pulled hither and thither by the hidden wires of her intention. One and all they were there to serve her ends and accomplish her purpose: Schenkelderff and the Hubbards to pay for the show, the bride and bridegroom to seal and symbolize her social rehabilitation, Garnett himself as the humble instrument adjusting the different parts of the complicated machinery, and her husband, finally, as the last stake in her game, the last asset on which she could draw to rebuild her fallen fortunes. At the thought Garnett was filled with a deep disgust for what the scene signified, and for his own share in it. He had been her tool and dupe like the others; if he imagined that he was serving Hermione, it was for her mother's ends that he had worked. What right had he to sentimentalise a marriage founded on such base connivances, and how could he have imagined that in so doing he was acting a disinterested part?

While these thoughts were passing through his mind the ceremony had already begun, and the principal personages in the drama were ranged before him in the row of crimson velvet chairs which fills the foreground of a Catholic marriage. Through the glow of lights and the perfumed haze about the altar, Garnett's eyes rested on the central figures of the group, and gradually the others disappeared from his view and his mind. After all, neither Mrs. Newell's schmes nor his own share in them could ever unsanctify hermione's marriage. It was one more testimony to life's indefatigable renewals, to nature's secret of drawing fragrance from corruption; and as his eyes turned from the girl's illuminated presence to the resigned and stoical figure sunk in the adjoining chair, it occured to him that he had perhaps worked better than he knew in placing them, if only for a moment, side by side.