The Inn Album/VIII

VIII

The youth is somehow by the lady's side. His right-hand grasps her right-hand once again. Both gaze on the dead body. Hers the word. "And that was good but useless. Had I lived The danger was to dread: but, dying now— Himself would hardly become talkative, Since talk no more means torture. Fools—what fools These wicked men are! Had I borne four years, Four years of weeks and months and days and nights, Inured me to the consciousness of life Coiled round by his life, with the tongue to ply,— But that I bore about me, for prompt use At urgent need, the thing that  'stops the mouth'  And stays the venom? Since such need was now Or never,—how should use not follow need? Bear witness for me, I withdraw from life By virtue of the license—warrant, say, That blackens yet this Album—white again, Thanks still to my one friend who tears the page! Now, let me write the line of supplement, As counselled by my foe there: ' each a line!'"

And she does falteringly write to end.

"I die now through the villain who lies dead, Righteously slain. He would have outraged me, So, my defender slew him. God protect The right! Where wrong lay, I bear witness now. Let man believe me, whose last breath is spent In blessing my defender from my soul!"

And so ends the Inn Album.

As she dies, Begins outside a voice that sounds like song, And is indeed half song though meant for speech Muttered in time to motion—stir of heart That unsubduably must bubble forth To match the fawn-step as it mounts the stair.

"All's ended and all's over! Verdict found  'Not guilty'—prisoner forthwith set free, Mid cheers the Court pretends to disregard! Now Portia, now for Daniel, late severe, At last appeased, benignant! 'This young man— Hem—has the young man's foibles but no fault. He's virgin soil—a friend must cultivate. I think no plant called "love" grows wild—a friend May introduce, and name the bloom, the fruit!' Here somebody dares wave a handkerchief— She'll want to hide her face with presently! Good-by then!  'Cigno fedel, cigno fedel, Addio!'  Now, was ever such mistake— Ever such foolish ugly omen? Pshaw! Wagner, beside!  'Amo te solo, te Solo amai!'  That's worth fifty such! But, mum, the grave face at the opened door!"

And so the good gay girl, with eyes and cheeks Diamond and damask,—cheeks so white erewhile Because of a vague fancy, idle fear Chased on reflection!—pausing, taps discreet; And then, to give herself a countenance, Before she comes upon the pair inside, Loud—the oft-quoted, long-laughed-over line— " 'Hail, calm acclivity, salubrious spot!'  Open the door!"

No: let the curtain fall!