The Duchesse de Langeais/Section 9

As she went through the rooms she was beset with inquiries and regrets. Her world seemed to have dwindled now that she, its queen, had fallen so low, was so diminished. And what, moreover, were these men compared with him whom she loved with all her heart; with the man grown great by all that she had lost in stature? The giant had regained the height that he had lost for a while, and she exaggerated it perhaps beyond measure. She looked, in spite of herself, at the servant who had attended her to the ball. He was fast asleep.

"Have you been here all the time?" she asked.

"Yes, madame."

As she took her seat in her carriage she saw, in fact, that her coachman was drunk&mdash;so drunk, that at any other time she would have been afraid; but after a great crisis in life, fear loses its appetite for common food. She reached home, at any rate, without accident; but even there she felt a change in herself, a new feeling that she could not shake off. For her, there was now but one man in the world; which is to say that henceforth she cared to shine for his sake alone.

While the physiologist can define love promptly by following out natural laws, the moralist finds a far more perplexing problem before him if he attempts to consider love in all its developments due to social conditions. Still, in spite of the heresies of the endless sects that divide the church of Love, there is one broad and trenchant line of difference in doctrine, a line that all the discussion in the world can never deflect. A rigid application of this line explains the nature of the crisis through which the Duchess, like most women, was to pass. Passion she knew, but she did not love as yet.

Love and passion are two different conditions which poets and men of the world, philosophers and fools, alike continually confound. Love implies a give and take, a certainty of bliss that nothing can change; it means so close a clinging of the heart, and an exchange of happiness so constant, that there is no room left for jealousy. Then possession is a means and not an end; unfaithfulness may give pain, but the bond is not less close; the soul is neither more nor less ardent or troubled, but happy at every moment; in short, the divine breath of desire spreading from end to end of the immensity of Time steeps it all for us in the selfsame hue; life takes the tint of the unclouded heaven. But Passion is the foreshadowing of Love, and of that Infinite to which all suffering souls aspire. Passion is a hope that may be cheated. Passion means both suffering and transition. Passion dies out when hope is dead. Men and women may pass through this experience many times without dishonor, for it is so natural to spring towards happiness; but there is only one love in a lifetime. All discussions of sentiment ever conducted on paper or by word of mouth may therefore be resumed by two questions&mdash;"Is it passion? Is it love?" So, since love comes into existence only through the intimate experience of the bliss which gives it lasting life, the Duchess was beneath the yoke of passion as yet; and as she knew the fierce tumult, the unconscious calculations, the fevered cravings, and all that is meant by that word passion&mdash;she suffered. Through all the trouble of her soul there rose eddying gusts of tempest, raised by vanity or self-love, or pride or a high spirit; for all these forms of egoism make common cause together.

She had said to this man, "I love you; I am yours!" Was it possible that the Duchesse de Langeais should have uttered those words&mdash;in vain? She must either be loved now or play her part of queen no longer. And then she felt the loneliness of the luxurious couch where pleasure had never yet set his glowing feet; and over and over again, while she tossed and writhed there, she said, "I want to be loved."

But the belief that she still had in herself gave her hope of success. The Duchess might be piqued, the vain Parisienne might be humiliated; but the woman saw glimpses of wedded happiness, and imagination, avenging the time lost for nature, took a delight in kindling the inextinguishable fire in her veins. She all but attained to the sensations of love; for amid her poignant doubt whether she was loved in return, she felt glad at heart to say to herself, "I love him!" As for her scruples, religion, and the world she could trample them under foot! Montriveau was her religion now. She spent the next day in a state of moral torpor, troubled by a physical unrest, which no words could express. She wrote letters and tore them all up, and invented a thousand impossible fancies.

When M. de Montriveau's usual hour arrived, she tried to think that he would come, and enjoyed the feeling of expectation. Her whole life was concentrated in the single sense of hearing. Sometimes she shut her eyes, straining her ears to listen through space, wishing that she could annihilate everything that lay between her and her lover, and so establish that perfect silence which sounds may traverse from afar. In her tense self-concentration, the ticking of the clock grew hateful to her; she stopped its ill-omened garrulity. The twelve strokes of midnight sounded from the drawing-room.

"Ah, God!" she cried, "to see him here would be happiness. And yet, it is not so very long since he came here, brought by desire, and the tones of his voice filled this boudoir. And now there is nothing."

She remembered the times that she had played the coquette with him, and how that her coquetry had cost her her lover, and the despairing tears flowed for long.

Her woman came at length with, "Mme la Duchesse does not know, perhaps, that it is two o'clock in the morning; I thought that madame was not feeling well."

"Yes, I am going to bed," said the Duchess, drying her eyes. "But remember, Suzanne, never to come in again without orders; I tell you this for the last time."

For a week, Mme de Langeais went to every house where there was a hope of meeting M. de Montriveau. Contrary to her usual habits, she came early and went late; gave up dancing, and went to the card-tables. Her experiments were fruitless. She did not succeed in getting a glimpse of Armand. She did not dare to utter his name now. One evening, however, in a fit of despair, she spoke to Mme de Serizy, and asked as carelessly as she could, "You must have quarreled with M. de Montriveau? He is not to be seen at your house now."

The Countess laughed. "So he does not come here either?" she returned. "He is not to be seen anywhere, for that matter. He is interested in some woman, no doubt."

"I used to think that the Marquis de Ronquerolles was one of his friends&mdash;&mdash;" the Duchess began sweetly.

"I have never heard my brother say that he was acquainted with him."

Mme de Langeais did not reply. Mme de Serizy concluded from the Duchess's silence that she might apply the scourge with impunity to a discreet friendship which she had seen, with bitterness of soul, for a long time past.

"So you miss that melancholy personage, do you? I have heard most extraordinary things of him. Wound his feelings, he never comes back, he forgives nothing; and, if you love him, he keeps you in chains. To everything that I said of him, one of those that praise him sky-high would always answer, 'He knows how to love!' People are always telling me that Montriveau would give up all for his friend; that his is a great nature. Pooh! society does not want such tremendous natures. Men of that stamp are all very well at home; let them stay there and leave us to our pleasant littlenesses. What do you say, Antoinette?"

Woman of the world though she was, the Duchess seemed agitated, yet she replied in a natural voice that deceived her fair friend:

"I am sorry to miss him. I took a great interest in him, and promised to myself to be his sincere friend. I like great natures, dear friend, ridiculous though you may think it. To give oneself to a fool is a clear confession, is it not, that one is governed wholly by one's senses?"

Mme de Serizy's "preferences" had always been for commonplace men; her lover at the moment, the Marquis d'Aiglemont, was a fine, tall man.

After this, the Countess soon took her departure, you may be sure Mme de Langeais saw hope in Armand's withdrawal from the world; she wrote to him at once; it was a humble, gentle letter, surely it would bring him if he loved her still. She sent her footman with it next day. On the servant's return, she asked whether he had given the letter to M. de Montriveau himself, and could not restrain the movement of joy at the affirmative answer. Armand was in Paris! He stayed alone in his house; he did not go out into society! So she was loved! All day long she waited for an answer that never came. Again and again, when impatience grew unbearable, Antoinette found reasons for his delay. Armand felt embarrassed; the reply would come by post; but night came, and she could not deceive herself any longer. It was a dreadful day, a day of pain grown sweet, of intolerable heart-throbs, a day when the heart squanders the very forces of life in riot.

Next day she sent for an answer.

"M. le Marquis sent word that he would call on Mme la Duchesse," reported Julien.

She fled lest her happiness should be seen in her face, and flung herself on her couch to devour her first sensations.

"He is coming!"

The thought rent her soul. And, in truth, woe unto those for whom suspense is not the most horrible time of tempest, while it increases and multiplies the sweetest joys; for they have nothing in them of that flame which quickens the images of things, giving to them a second existence, so that we cling as closely to the pure essence as to its outward and visible manifestation. What is suspense in love but a constant drawing upon an unfailing hope?&mdash;a submission to the terrible scourging of passion, while passion is yet happy, and the disenchantment of reality has not set in. The constant putting forth of strength and longing, called suspense, is surely, to the human soul, as fragrance to the flower that breathes it forth. We soon leave the brilliant, unsatisfying colours of tulips and coreopsis, but we turn again and again to drink in the sweetness of orange-blossoms or volkameria-flowers compared separately, each in its own land, to a betrothed bride, full of love, made fair by the past and future.

The Duchess learned the joys of this new life of hers through the rapture with which she received the scourgings of love. As this change wrought in her, she saw other destinies before her, and a better meaning in the things of life. As she hurried to her dressing-room, she understood what studied adornment and the most minute attention to her toilet mean when these are undertaken for love's sake and not for vanity. Even now this making ready helped her to bear the long time of waiting. A relapse of intense agitation set in when she was dressed; she passed through nervous paroxysms brought on by the dreadful power which sets the whole mind in ferment. Perhaps that power is only a disease, though the pain of it is sweet. The Duchess was dressed and waiting at two o clock in the afternoon. At half-past eleven that night M. de Montriveau had not arrived. To try to give an idea of the anguish endured by a woman who might be said to be the spoilt child of civilization, would be to attempt to say how many imaginings the heart can condense into one thought. As well endeavour to measure the forces expended by the soul in a sigh whenever the bell rang; to estimate the drain of life when a carriage rolled past without stopping, and left her prostrate.

"Can he be playing with me?" she said, as the clocks struck midnight.

She grew white; her teeth chattered; she struck her hands together and leapt up and crossed the boudoir, recollecting as she did so how often he had come thither without a summons. But she resigned herself. Had she not seen him grow pale, and start up under the stinging barbs of irony? Then Mme de Langeais felt the horror of the woman's appointed lot; a man's is the active part, a woman must wait passively when she loves. If a woman goes beyond her beloved, she makes a mistake which few men can forgive; almost every man would feel that a woman lowers herself by this piece of angelic flattery. But Armand's was a great nature; he surely must be one of the very few who can repay such exceeding love by love that lasts forever.

"Well, I will make the advance," she told herself, as she tossed on her bed and found no sleep there; "I will go to him. I will not weary myself with holding out a hand to him, but I will hold it out. A man of a thousand will see a promise of love and constancy in every step that a woman takes towards him. Yes, the angels must come down from heaven to reach men; and I wish to be an angel for him."

Next day she wrote. It was a billet of the kind in which the intellects of the ten thousand Sevignes that Paris now can number particularly excel. And yet only a Duchesse de Langeais, brought up by Mme la Princesse de Blamont-Chauvry, could have written that delicious note; no other woman could complain without lowering herself; could spread wings in such a flight without draggling her pinions in humiliation; rise gracefully in revolt; scold without giving offence; and pardon without compromising her personal dignity.

Julien went with the note. Julien, like his kind, was the victim of love's marches and countermarches.

"What did M. de Montriveau reply?" she asked, as indifferently as she could, when the man came back to report himself.

"M. le Marquis requested me to tell Mme la Duchesse that it was all right."

Oh the dreadful reaction of the soul upon herself! To have her heart stretched on the rack before curious witnesses; yet not to utter a sound, to be forced to keep silence! One of the countless miseries of the rich!

More than three weeks went by. Mme de Langeais wrote again and again, and no answer came from Montriveau. At last she gave out that she was ill, to gain a dispensation from attendance on the Princess and from social duties. She was only at home to her father the Duc de Navarreins, her aunt the Princesse de Blamont-Chauvry, the old Vidame de Pamiers (her maternal great-uncle), and to her husband's uncle, the Duc de Grandlieu. These persons found no difficulty in believing that the Duchess was ill, seeing that she grew thinner and paler and more dejected every day. The vague ardour of love, the smart of wounded pride, the continual prick of the only scorn that could touch her, the yearnings towards joys that she craved with a vain continual longing&mdash;all these things told upon her, mind and body; all the forces of her nature were stimulated to no purpose. She was paying the arrears of her life of make-believe.

She went out at last to a review. M. de Montriveau was to be there. For the Duchess, on the balcony of the Tuileries with the Royal Family, it was one of those festival days that are long remembered. She looked supremely beautiful in her languor; she was greeted with admiration in all eyes. It was Montriveau's presence that made her so fair.

Once or twice they exchanged glances. The General came almost to her feet in all the glory of that soldier's uniform, which produces an effect upon the feminine imagination to which the most prudish will confess. When a woman is very much in love, and has not seen her lover for two months, such a swift moment must be something like the phase of a dream when the eyes embrace a world that stretches away forever. Only women or young men can imagine the dull, frenzied hunger in the Duchess's eyes. As for older men, if during the paroxysms of early passion in youth they had experience of such phenomena of nervous power; at a later day it is so completely forgotten that they deny the very existence of the luxuriant ecstasy&mdash;the only name that can be given to these wonderful intuitions. Religious ecstasy is the aberration of a soul that has shaken off its bonds of flesh; whereas in amorous ecstasy all the forces of soul and body are embraced and blended in one. If a woman falls a victim to the tyrannous frenzy before which Mme de Langeais was forced to bend, she will take one decisive resolution after another so swiftly that it is impossible to give account of them. Thought after thought rises and flits across her brain, as clouds are whirled by the wind across the grey veil of mist that shuts out the sun. Thenceforth the facts reveal all. And the facts are these.

The day after the review, Mme de Langeais sent her carriage and liveried servants to wait at the Marquis de Montriveau's door from eight o'clock in the morning till three in the afternoon. Armand lived in the Rue de Tournon, a few steps away from the Chamber of Peers, and that very day the House was sitting; but long before the peers returned to their palaces, several people had recognised the Duchess's carriage and liveries. The first of these was the Baron de Maulincour. That young officer had met with disdain from Mme de Langeais and a better reception from Mme de Serizy; he betook himself at once therefore to his mistress, and under seal of secrecy told her of this strange freak.

In a moment the news was spread with telegraphic speed through all the coteries in the Faubourg Saint-Germain; it reached the Tuileries and the Elysee-Bourbon; it was the sensation of the day, the matter of all the talk from noon till night. Almost everywhere the women denied the facts, but in such a manner that the report was confirmed; the men one and all believed it, and manifested a most indulgent interest in Mme de Langeais. Some among them threw the blame on Armand.

"That savage of a Montriveau is a man of bronze," said they; "he insisted on making this scandal, no doubt."

"Very well, then," others replied, "Mme de Langeais has been guilty of a most generous piece of imprudence. To renounce the world and rank, and fortune, and consideration for her lover's sake, and that in the face of all Paris, is as fine a coup d'etat for a woman as that barber's knife-thrust, which so affected Canning in a court of assize. Not one of the women who blame the Duchess would make a declaration worthy of ancient times. It is heroic of Mme de Langeais to proclaim herself so frankly. Now there is nothing left to her but to love Montriveau. There must be something great about a woman if she says, 'I will have but one passion.'"

"But what is to become of society, monsieur, if you honour vice in this way without respect for virtue?" asked the Comtesse de Granville, the attorney-general's wife.

While the Chateau, the Faubourg, and the Chaussee d'Antin were discussing the shipwreck of aristocratic virtue; while excited young men rushed about on horseback to make sure that the carriage was standing in the Rue de Tournon, and the Duchess in consequence was beyond a doubt in M. de Montriveau's rooms, Mme de Langeais, with heavy throbbing pulses, was lying hidden away in her boudoir. And Armand?&mdash;he had been out all night, and at that moment was walking with M. de Marsay in the Gardens of the Tuileries. The elder members, of Mme de Langeais' family were engaged in calling upon one another, arranging to read her a homily and to hold a consultation as to the best way of putting a stop to the scandal.

At three o'clock, therefore, M. le Duc de Navarreins, the Vidame de Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu were assembled in Mme la Duchesse de Langeais' drawing-room. To them, as to all curious inquirers, the servants said that their mistress was not at home; the Duchess had made no exceptions to her orders. But these four personages shone conspicuous in that lofty sphere, of which the revolutions and hereditary pretensions are solemnly recorded year by year in the Almanach de Gotha, wherefore without some slight sketch of each of them this picture of society were incomplete.

The Princesse de Blamont-Chauvry, in the feminine world, was a most poetic wreck of the reign of Louis Quinze. In her beautiful prime, so it was said, she had done her part to win for that monarch his appellation of le Bien-aime. Of her past charms of feature, little remained save a remarkably prominent slender nose, curved like a Turkish scimitar, now the principal ornament of a countenance that put you in mind of an old white glove. Add a few powdered curls, high-heeled pantoufles, a cap with upstanding loops of lace, black mittens, and a decided taste for ombre. But to do full justice to the lady, it must be said that she appeared in low-necked gowns of an evening (so high an opinion of her ruins had she), wore long gloves, and raddled her cheeks with Martin's classic rouge. An appalling amiability in her wrinkles, a prodigious brightness in the old lady's eyes, a profound dignity in her whole person, together with the triple barbed wit of her tongue, and an infallible memory in her head, made of her a real power in the land. The whole Cabinet des Chartes was entered in duplicate on the parchment of her brain. She knew all the genealogies of every noble house in Europe&mdash;princes, dukes, and counts&mdash;and could put her hand on the last descendants of Charlemagne in the direct line. No usurpation of title could escape the Princesse de Blamont-Chauvry.

Young men who wished to stand well at Court, ambitious men, and young married women paid her assiduous homage. Her salon set the tone of the Faubourg Saint-Germain. The words of this Talleyrand in petticoats were taken as final decrees. People came to consult her on questions of etiquette or usages, or to take lessons in good taste. And, in truth, no other old woman could put back her snuff-box in her pocket as the Princess could; while there was a precision and a grace about the movements of her skirts, when she sat down or crossed her feet, which drove the finest ladies of the young generation to despair. Her voice had remained in her head during one-third of her lifetime; but she could not prevent a descent into the membranes of the nose, which lent to it a peculiar expressiveness. She still retained a hundred and fifty thousand livres of her great fortune, for Napoleon had generously returned her woods to her; so that personally and in the matter of possessions she was a woman of no little consequence.

This curious antique, seated in a low chair by the fireside, was chatting with the Vidame de Pamiers, a contemporary ruin. The Vidame was a big, tall, and spare man, a seigneur of the old school, and had been a Commander of the Order of Malta. His neck had always been so tightly compressed by a strangulation stock, that his cheeks pouched over it a little, and he held his head high; to many people this would have given an air of self-sufficiency, but in the Vidame it was justified by a Voltairean wit. His wide prominent eyes seemed to see everything, and as a matter of fact there was not much that they had not seen. Altogether, his person was a perfect model of aristocratic outline, slim and slender, supple and agreeable. He seemed as if he could be pliant or rigid at will, and twist and bend, or rear his head like a snake.