The Collection of Antiquities/Section 11

Du Croisier had thought out his revenge, as provincials think out everything. For studying out a question in all its bearings, there are no folk in this world like savages, peasants, and provincials; and this is how, when they proceed from thought to action, you find every contingency provided for from beginning to end. Diplomatists are children compared with these classes of mammals; they have time before them, an element which is lacking to those people who are obliged to think about a great many things, to superintend the progress of all kinds of schemes, to look forward for all sorts of contingencies in the wider interests of human affairs. Had de Croisier sounded poor Victurnien's nature so well, that he foresaw how easily the young Count would lend himself to his schemes of revenge? Or was he merely profiting by an opportunity for which he had been on the watch for years? One circumstance there was, to be sure, in his manner of preparing his stroke, which shows a certain skill. Who was it that gave du Croisier warning of the moment? Was it the Kellers? Or could it have been President du Ronceret's son, then finishing his law studies in Paris?

Du Croisier wrote to Victurnien, telling him that the Kellers had been instructed to advance no more money; and that letter was timed to arrive just as the Duchesse de Maufrigneuse was in the utmost perplexity, and the Comte d'Esgrignon consumed by the sense of poverty as dreadful as it was cunningly hidden. The wretched young man was exerting all his ingenuity to seem as if he were wealthy!

Now in the letter which informed the victim that in future the Kellers would make no further advances without security, there was a tolerably wide space left between the forms of an exaggerated respect and the signature. It was quite easy to tear off the best part of the letter and convert it into a bill of exchange for any amount. The diabolical missive had been enclosed in an envelope, so that the other side of the sheet was blank. When it arrived, Victurnien was writhing in the lowest depths of despair. After two years of the most prosperous, sensual, thoughtless, and luxurious life, he found himself face to face with the most inexorable poverty; it was an absolute impossibility to procure money. There had been some throes of crisis before the journey came to an end. With the Duchess' help he had managed to extort various sums from bankers; but it had been with the greatest difficulty, and, moreover, those very amounts were about to start up again before him as overdue bills of exchange in all their rigor, with a stern summons to pay from the Bank of France and the commercial court. All through the enjoyments of those last weeks the unhappy boy had felt the point of the Commander's sword; at every supper-party he heard, like Don Juan, the heavy tread of the statue outside upon the stairs. He felt an unaccountable creeping of the flesh, a warning that the sirocco of debt is nigh at hand. He reckoned on chance. For five years he had never turned up a blank in the lottery, his purse had always been replenished. After Chesnel had come du Croisier (he told himself), after du Croisier surely another gold mine would pour out its wealth. And besides, he was winning great sums at play; his luck at play had saved him several unpleasant steps already; and often a wild hope sent him to the Salon des Etrangers only to lose his winnings afterwards at whist at the club. His life for the past two months had been like the immortal finale of Mozart's Don Giovanni; and of a truth, if a young man has come to such a plight as Victurnien's, that finale is enough to make him shudder. Can anything better prove the enormous power of music than that sublime rendering of the disorder and confusion arising out of a life wholly give up to sensual indulgence? that fearful picture of a deliberate effort to shut out the thought of debts and duels, deceit and evil luck? In that music Mozart disputes the palm with Moliere. The terrific finale, with its glow, its power, its despair and laughter, its grisly spectres and elfish women, centres about the prodigal's last effort made in the after-supper heat of wine, the frantic struggle which ends the drama. Victurnien was living through this infernal poem, and alone. He saw visions of himself&mdasha friendless, solitary outcast, reading the words carved on the stone, the last words on the last page of the book that had held him spellbound&mdashTHE END!

Yes; for him all would be at an end, and that soon. Already he saw the cold, ironical eyes which his associates would turn upon him, and their amusement over his downfall. Some of them he knew were playing high on that gambling-table kept open all day long at the Bourse, or in private houses at the clubs, and anywhere and everywhere in Paris; but not one of these men could spare a banknote to save an intimate. There was no help for it&mdashChesnel must be ruined. He had devoured Chesnel's living.

He sat with the Duchess in their box at the Italiens, the whole house envying them their happiness, and while he smiled at her, all the Furies were tearing at his heart. Indeed, to give some idea of the depths of doubt, despair, and incredulity in which the boy was groveling; he who so clung to life&mdashthe life which the angel had made so fair&mdashwho so loved it, that he would have stooped to baseness merely to live; he, the pleasure-loving scapegrace, the degenerate d'Esgrignon, had even taken out his pistols, had gone so far as to think of suicide. He who would never have brooked the appearance of an insult was abusing himself in language which no man is likely to hear except from himself.

He left du Croisier's letter lying open on the bed. Josephin had brought it in at nine o'clock. Victurnien's furniture had been seized, but he slept none the less. After he came back from the Opera, he and the Duchess had gone to a voluptuous retreat, where they often spent a few hours together after the most brilliant court balls and evening parties and gaieties. Appearances were very cleverly saved. Their love-nest was a garret like any other to all appearance; Mme. de Maufrigneuse was obliged to bow her head with its court feathers or wreath of flowers to enter in at the door; but within all the peris of the East had made the chamber fair. And now that the Count was on the brink of ruin, he had longed to bid farewell to the dainty nest, which he had built to realize a day-dream worthy of his angel. Presently adversity would break the enchanted eggs; there would be no brood of white doves, no brilliant tropical birds, no more of the thousand bright-winged fancies which hover above our heads even to the last days of our lives. Alas! alas! in three days he must be gone; his bills had fallen into the hands of the money-lenders, the law proceedings had reached the last stage.

An evil thought crossed his brain. He would fly with the Duchess; they would live in some undiscovered nook in the wilds of North or South America; but&mdashhe would fly with a fortune, and leave his creditors to confront their bills. To carry out the plan, he had only to cut off the lower portion of that letter with du Croisier's signature, and to fill in the figures to turn it into a bill, and present it to the Kellers. There was a dreadful struggle with temptation; tears shed, but the honor of the family triumphed, subject to one condition. Victurnien wanted to be sure of his beautiful Diane; he would do nothing unless she should consent to their flight. So he went to the Duchess in the Rue Faubourg Saint-Honore, and found her in coquettish morning dress, which cost as much in thought as in money, a fit dress in which to begin to play the part of Angel at eleven o'clock in the morning.

Mme. de Maufrigneuse was somewhat pensive. Cares of a similar kind were gnawing her mind; but she took them gallantly. Of all the various feminine organizations classified by physiologists, there is one that has something indescribably terrible about it. Such women combine strength of soul and clear insight, with a faculty for prompt decision, and a recklessness, or rather resolution in a crisis which would shake a man's nerves. And these powers lie out of sight beneath an appearance of the most graceful helplessness. Such women only among womankind afford examples of a phenomenon which Buffon recognized in men alone, to wit, the union, or rather the disunion, of two different natures in one human being. Other women are wholly women; wholly tender, wholly devoted, wholly mothers, completely null and completely tiresome; nerves and brain and blood are all in harmony; but the Duchess, and others like her, are capable of rising to the highest heights of feelings, or of showing the most selfish insensibility. It is one of the glories of Moliere that he has given us a wonderful portrait of such a woman, from one point of view only, in that greatest of his full-length figures&mdashCelimene; Celimene is the typical aristocratic woman, as Figaro, the second edition of Panurge, represents the people.

So, the Duchess, being overwhelmed with debt, laid it upon herself to give no more than a moment's thought to the avalanche of cares, and to take her resolution once and for all; Napoleon could take up or lay down the burden of his thoughts in precisely the same way. The Duchess possessed the faculty of standing aloof from herself; she could look on as a spectator at the crash when it came, instead of submitting to be buried beneath. This was certainly great, but repulsive in a woman. When she awoke in the morning she collected her thoughts; and by the time she had begun to dress she had looked at the danger in its fullest extent and faced the possibilities of terrific downfall. She pondered. Should she take refuge in a foreign country? Or should she go to the King and declare her debts to him? Or again, should she fascinate a du Tillet or a Nucingen, and gamble on the stock exchange to pay her creditors? The city man would find the money; he would be intelligent enough to bring her nothing but the profits, without so much as mentioning the losses, a piece of delicacy which would gloss all over. The catastrophe, and these various ways of averting it, had all been reviewed quite coolly, calmly, and without trepidation.

As a naturalist takes up some king of butterflies and fastens him down on cotton-wool with a pin, so Mme. de Maufrigneuse had plucked love out of her heart while she pondered the necessity of the moment, and was quite ready to replace the beautiful passion on its immaculate setting so soon as her duchess' coronet was safe. She knew none of the hesitation which Cardinal Richelieu hid from all the world but Pere Joseph; none of the doubts that Napoleon kept at first entirely to himself. "Either the one or the other," she told herself.

She was sitting by the fire, giving orders for her toilette for a drive in the Bois if the weather should be fine, when Victurnien came in.

The Comte d'Esgrignon, with all his stifled capacity, his so keen intellect, was in exactly the state which might have been looked for in the woman. His heart was beating violently, the perspiration broke out over him as he stood in his dandy's trappings; he was afraid as yet to lay a hand on the corner-stone which upheld the pyramid of his life with Diane. So much it cost him to know the truth. The cleverest men are fain to deceive themselves on one or two points if the truth once known is likely to humiliate them in their own eyes, and damage themselves with themselves. Victurnien forced his own irresolution into the field by committing himself.

"What is the matter with you?" Diane de Maufrigneuse had said at once, at the sight of her beloved Victurnien's face.

"Why, dear Diane, I am in such a perplexity; a man gone to the bottom and at his last gasp is happy in comparison."

"Pshaw! it is nothing," said she; "you are a child. Let us see now; tell me about it."

"I am hopelessly in debt. I have come to the end of my tether."

"Is that all?" said she, smiling at him. "Money matters can always be arranged somehow or other; nothing is irretrievable except disasters in love."

Victurnien's mind being set at rest by this swift comprehension of his position, he unrolled the bright-colored web of his life for the last two years and a half; but it was the seamy side of it which he displayed with something of genius, and still more of wit, to his Diane. He told his tale with the inspiration of the moment, which fails no one in great crises; he had sufficient artistic skill to set it off by a varnish of delicate scorn for men and things. It was an aristocrat who spoke. And the Duchess listened as she could listen.

One knee was raised, for she sat with her foot on a stool. She rested her elbow on her knee and leant her face on her hand so that her fingers closed daintily over her shapely chin. Her eyes never left his; but thoughts by myriads flitted under the blue surface, like gleams of stormy light between two clouds. Her forehead was calm, her mouth gravely intent&mdashgrave with love; her lips were knotted fast by Victurnien's lips. To have her listening thus was to believe that a divine love flowed from her heart. Wherefore, when the Count had proposed flight to this soul, so closely knit to his own, he could not help crying, "You are an angel!"

The fair Maufrigneuse made silent answer; but she had not spoken as yet.

"Good, very good," she said at last. (She had not given herself up to the love expressed in her face; her mind had been entirely absorbed by deep-laid schemes which she kept to herself.) "But that is not the question, dear." (The "angel" was only "that" by this time.) "Let us think of your affairs. Yes, we will go, and the sooner the better. Arrange it all; I will follow you. It is glorious to leave Paris and the world behind. I will set about my preparations in such a way that no one can suspect anything."

I will follow you! Just so Mlle. Mars might have spoken those words to send a thrill through two thousand listening men and women. When a Duchesse de Maufrigneuse offers, in such words, to make such a sacrifice to love, she has paid her debt. How should Victurnien speak of sordid details after that? He could so much the better hide his schemes, because Diane was particularly careful not to inquire into them. She was now, and always, as de Marsay said, an invited guest at a banquet wreathed with roses, a banquet which mankind, as in duty bound, made ready for her.

Victurnien would not go till the promise had been sealed. He must draw courage from his happiness before he could bring himself to do a deed on which, as he inwardly told himself, people would be certain to put a bad construction. Still (and this was the thought that decided him) he counted on his aunt and father to hush up the affair; he even counted on Chesnel. Chesnel would think of one more compromise. Besides, "this business," as he called it in his thoughts, was the only way of raising money on the family estate. With three hundred thousand francs, he and Diane would lead a happy life hidden in some palace in Venice; and there they would forget the world. They went through their romance in advance.

Next day Victurnien made out a bill for three hundred thousand francs, and took it to the Kellers. The Kellers advanced the money, for du Croisier happened to have a balance at the time; but they wrote to let him know that he must not draw again on them without giving them notice. Du Croisier, much astonished, asked for a statement of accounts. It was sent. Everything was explained. The day of his vengeance had arrived.