The Acorn-planter: A California Forest Play/Argument

Argument
In the morning of the world, while his tribe makes its camp for the night in a grove, Red Cloud, the first man of men, and the first man of the Nishinam, save in war, sings of the duty of life, which duty is to make life more abundant. The Shaman, or medicine man, sings of    foreboding and prophecy. The War Chief, who commands in war, sings that war is the only way to life. This Red Cloud denies, affirming that the way of life is the way of the acorn- planter, and that whoso slays one man slays the planter of many acorns. Red Cloud wins the Shaman and the people to his contention.

After the passage of thousands of years, again in the grove appear the Nishinam. In Red Cloud, the War Chief, the Shaman, and the Dew-Woman are repeated the eternal figures of the philosopher, the soldier, the priest, and the woman--types ever realizing themselves afresh in the social adventures of man. Red Cloud recognizes the wrecked explorers as    planters and life-makers, and is for treating them with kindness. But the War Chief and the idea of war are dominant The Shaman joins with the war party, and is privy to the massacre of the explorers.

A hundred years pass, when, on their seasonal migration, the Nishinam camp for the night in    the grove. They still live, and the war formula for life seems vindicated, despite the imminence of the superior life-makers, the whites, who are flooding into California from north, south, east, and west--the English, the Americans, the Spaniards, and the Russians. The massacre by    the white men follows, and Red Cloud, dying, recognizes the white men as brother acorn-planters, the possessors of the superior life-formula of which he had always been a protagonist.

In the Epilogue, or Apotheosis, occur the celebration of the death of war and the triumph of the acorn-planters.