Smith and the Pharaohs/Chapter II

Smith was seated in the sanctum of the distinguished Director-General of Antiquities at the new Cairo Museum. It was a very interesting room. Books piled upon the floor; objects from tombs awaiting examination, lying here and there; a hoard of Ptolemaic silver coins, just dug up at Alexandria, standing on a table in the pot that had hidden them for two thousand years; in the corner the mummy of a royal child, aged six or seven, not long ago discovered, with some inscription scrawled upon the wrappings (brought here to be deciphered by the Master), and the withered lotus-bloom, love's last offering, thrust beneath one of the pink retaining bands.

"A touching object," thought Smith to himself. "Really, they might have left the dear little girl in peace."

Smith had a tender heart, but even as he reflected he became aware that some of the jewellery hidden in an inner pocket of his waistcoat (designed for bank-notes) was fretting his skin. He had a tender conscience also.

Just then the Director, a French savant, bustled in, alert, vigorous, full of interest.

"Ah, my dear Mr. Smith!" he said, in his excellent English. "I am indeed glad to see you back again, especially as I understand that you are come rejoicing and bringing your sheaves with you. They tell me you have been extraordinarily successful. What do you say is the name of this queen whose tomb you have found—Ma-Mee? A very unusual name. How do you get the extra vowel? Is it for euphony, eh? Did I not know how good a scholar you are, I should be tempted to believe that you had misread it. Me-Mee, Ma-Mee! That would be pretty in French, would it not? Ma mie—my darling! Well, I dare say she was somebody's mie in her time. But tell me the story."

Smith told him shortly and clearly; also he produced his photographs and copies of inscriptions.

"This is interesting—interesting truly," said the Director, when he had glanced through them. "You must leave them with me to study. Also you will publish them, is it not so? Perhaps one of the Societies would help you with the cost, for it should be done in facsimile. Look at this vignette! Most unusual. Oh, what a pity that scoundrelly priest got off with the jewellery and burnt her Majesty's body!"

"He didn't get off with all of it."

"What, Mr. Smith? Our inspector reported to me that you found nothing."

"I dare say, sir; but your inspector did not know what I found."

"Ah, you are a discreet man! Well, let us see."

Slowly Smith unbuttoned his waistcoat. From its inner pocket and elsewhere about his person he extracted the jewels wrapped in mummy-cloth as he had found them. First he produced a sceptre-head of gold, in the shape of a pomegranate fruit and engraved with the throne name and titles of Ma-Mee.

"What a beautiful object!" said the Director. "Look! the handle was of ivory, and that sacre thief of a priest smashed it out at the socket. It was fresh ivory then; the robbery must have taken place not long after the burial. See, this magnifying-glass shows it. Is that all?"

Smith handed him the surviving half of the marvellous necklace that had been torn in two.

"I have re-threaded it," he muttered, "but every bead is in its place."

"Oh, heavens! How lovely! Note the cutting of those cornelian heads of Hathor and the gold lotus-blooms between—yes, and the enamelled flies beneath. We have nothing like it in the Museum."

So it went on.

"Is that all?" gasped the Director at last, when every object from the basket glittered before them on the table.

"Yes," said Smith. "That is—no. I found a broken statuette hidden in the sand outside the tomb. It is of the queen, but I thought perhaps you would allow me to keep this."

"But certainly, Mr. Smith; it is yours indeed. We are not niggards here. Still, if I might see it——"

From yet another pocket Smith produced the head. The Director gazed at it, then he spoke with feeling.

"I said just now that you were discreet, Mr. Smith, and I have been reflecting that you are honest. But now I must add that you are very clever. If you had not made me promise that this bronze should be yours before you showed it me—well, it would never have gone into that pocket again. And, in the public interest, won't you release me from the promise?"

"No," said Smith.

"You are perhaps not aware," went on the Director, with a groan, "that this is a portrait of Mariette's unknown queen whom we are thus able to identify. It seems a pity that the two should be separated; a replica we could let you have."

"I am quite aware," said Smith, "and I will be sure to send you a replica, with photographs. Also I promise to leave the original to some museum by will."

The Director clasped the image tenderly, and, holding it to the light, read the broken cartouche beneath the breasts.

"'Ma-Me, Great Royal Lady. Beloved of ——' Beloved of whom? Well, of Smith, for one. Take it, monsieur, and hide it away at once, lest soon there should be another mummy in this collection, a modern mummy called Smith; and, in the name of Justice, let the museum which inherits it be not the British, but that of Cairo, for this queen belongs to Egypt. By the way, I have been told that you are delicate in the lungs. How is your health now? Our cold winds are very trying. Quite good? Ah, that is excellent! I suppose that you have no more articles that you can show me?"

"I have nothing more except a mummied hand, which I found in the basket with the jewels. The two rings off it lie there. Doubtless it was removed to get at that bracelet. I suppose you will not mind my keeping the hand——"

"Of the beloved of Smith," interrupted the Director drolly. "No, I suppose not, though for my part I should prefer one that was not quite so old. Still, perhaps you will not mind my seeing it. That pocket of yours still looks a little bulky; I thought that it contained books!"

Smith produced a cigar-box; in it was the hand wrapped in cotton wool.

"Ah," said the Director, "a pretty, well-bred hand. No doubt this Ma-Mee was the real heiress to the throne, as she describes herself. The Pharaoh was somebody of inferior birth, half-brother—she is called 'Royal Sister,' you remember—son of one of the Pharaoh's slave-women, perhaps. Odd that she never mentioned him in the tomb. It looks as though they didn't get on in life, and that she was determined to have done with him in death. Those were the rings upon that hand, were they not?"

He replaced them on the fingers, then took off one, a royal signet in a cartouche, and read the inscription on the other: "'Bes Ank, Ank Bes.' 'Bes the Living, the Living Bes.'

"Your Ma-Mee had some human vanity about her," he added. "Bes, among other things, as you know, was the god of beauty and of the adornments of women. She wore that ring that she might remain beautiful, and that her dresses might always fit, and her rouge never cake when she was dancing before the gods. Also it fixes her period pretty closely, but then so do other things. It seems a pity to rob Ma-Mee of her pet ring, does it not? The royal signet will be enough for us."

With a little bow he gave the hand back to Smith, leaving the Bes ring on the finger that had worn it for more than three thousand years. At least, Smith was so sure it was the Bes ring that at the time he did not look at it again.

Then they parted, Smith promising to return upon the morrow, which, owing to events to be described, he did not do.

"Ah!" said the Master to himself, as the door closed behind his visitor. "He's in a hurry to be gone. He has fear lest I should change my mind about that ring. Also there is the bronze. Monsieur Smith was ruse there. It is worth a thousand pounds, that bronze. Yet I do not believe he was thinking of the money. I believe he is in love with that Ma-Mee and wants to keep her picture. Mon Dieu! A well-established affection. At least he is what the English call an odd fish, one whom I could never make out, and of whom no one seems to know anything. Still, honest, I am sure—quite honest. Why, he might have kept every one of those jewels and no one have been the wiser. And what things! What a find! Ciel! what a find! There has been nothing like it for years. Benedictions on the head of Odd-fish Smith!"

Then he collected the precious objects, thrust them into an inner compartment of his safe, which he locked and double-locked, and, as it was nearly five o'clock, departed from the Museum to his private residence in the grounds, there to study Smith's copies and photographs, and to tell some friends of the great things that had happened.

When Smith found himself outside the sacred door, and had presented its venerable guardian with a baksheesh of five piastres, he walked a few paces to the right and paused a while to watch some native labourers who were dragging a huge sarcophagus upon an improvised tramway. As they dragged they sang an echoing rhythmic song, whereof each line ended with an invocation to Allah.

Just so, reflected Smith, had their forefathers sung when, millenniums ago, they dragged that very sarcophagus from the quarries to the Nile, and from the Nile to the tomb whence it reappeared to-day, or when they slid the casing blocks of the pyramids up the great causeway and smooth slope of sand, and laid them in their dizzy resting-places. Only then each line of the immemorial chant of toil ended with an invocation to Amen, now transformed to Allah. The East may change its masters and its gods, but its customs never change, and if to-day Allah wore the feathers of Amen one wonders whether the worshippers would find the difference so very great.

Thus thought Smith as he hurried away from the sarcophagus and those blue-robed, dark-skinned fellaheen, down the long gallery that is filled with a thousand sculptures. For a moment he paused before the wonderful white statue of Queen Amenartas, then, remembering that his time was short, hastened on to a certain room, one of those which opened out of the gallery.

In a corner of this room, upon the wall, amongst many other beautiful objects, stood that head which Mariette had found, whereof in past years the cast had fascinated him in London. Now he knew whose head it was; to him it had been given to find the tomb of her who had sat for that statue. Her very hand was in his pocket—yes, the hand that had touched yonder marble, pointing out its defects to the sculptor, or perhaps swearing that he flattered her. Smith wondered who that sculptor was; surely he must have been a happy man. Also he wondered whether the statuette was also this master's work. He thought so, but he wished to make sure.

Near to the end of the room he stopped and looked about him like a thief. He was alone in the place; not a single student or tourist could be seen, and its guardian was somewhere else. He drew out the box that contained the hand. From the hand he slipped the ring which the Director-General had left there as a gift to himself. He would much have preferred the other with the signet, but how could he say so, especially after the episode of the statuette?

Replacing the hand in his pocket without looking at the ring—for his eyes were watching to see whether he was observed—he set it upon his little finger, which it exactly fitted. (Ma-Mee had worn both of them upon the third finger of her left hand, the Bes ring as a guard to the signet.) He had the fancy to approach the effigy of Ma-Mee wearing a ring which she had worn and that came straight from her finger to his own.

Smith found the head in its accustomed place. Weeks had gone by since he looked upon it, and now, to his eyes, it had grown more beautiful than ever, and its smile was more mystical and living. He drew out the statuette and began to compare them point by point. Oh, no doubt was possible! Both were likenesses of the same woman, though the statuette might have been executed two or three years later than the statue. To him the face of it looked a little older and more spiritual. Perhaps illness, or some premonition of her end had then thrown its shadow on the queen. He compared and compared. He made some rough measurements and sketches in his pocket-book, and set himself to work out a canon of proportions.

So hard and earnestly did he work, so lost was his mind that he never heard the accustomed warning sound which announces that the Museum is about to close. Hidden behind an altar as he was, in his distant, shadowed corner, the guardian of the room never saw him as he cast a last perfunctory glance about the place before departing till the Saturday morning; for the morrow was Friday, the Mohammedan Sabbath, on which the Museum remains shut, and he would not be called upon to attend. So he went. Everybody went. The great doors clanged, were locked and bolted, and, save for a watchman outside, no one was left in all that vast place except Smith in his corner, engaged in sketching and in measurements.

The difficulty of seeing, owing to the increase of shadow, first called his attention to the fact that time was slipping away. He glanced at his watch and saw that it was ten minutes to the hour.

"Soon be time to go," he thought to himself, and resumed his work.

How strangely silent the place seemed! Not a footstep to be heard or the sound of a human voice. He looked at his watch again, and saw that it was six o'clock, not five, or so the thing said. But that was impossible, for the Museum shut at five; evidently the desert sand had got into the works. The room in which he stood was that known as Room I, and he had noticed that its Arab custodian often frequented Room K or the gallery outside. He would find him and ask what was the real time.

Passing round the effigy of the wonderful Hathor cow, perhaps the finest example of an ancient sculpture of a beast in the whole world, Smith came to the doorway and looked up and down the gallery. Not a soul to be seen. He ran to Room K, to Room H, and others. Still not a soul to be seen. Then he made his way as fast as he could go to the great entrance. The doors were locked and bolted.

"Watch must be right after all. I'm shut in," he said to himself. "However, there's sure to be someone about somewhere. Probably the salle des ventes is still open. Shops don't shut till they are obliged."

Thither he went, to find its door as firmly closed as a door can be. He knocked on it, but a sepulchral echo was the only answer.

"I know," he reflected. "The Director must still be in his room. It will take him a long while to examine all that jewellery and put it away."

So for the room he headed, and, after losing his path twice, found it by help of the sarcophagus that the Arabs had been dragging, which now stood as deserted as it had done in the tomb, a lonesome and impressive object in the gathering shadows. The Director's door was shut, and again his knockings produced nothing but an echo. He started on a tour round the Museum, and, having searched the ground floors, ascended to the upper galleries by the great stairway.

Presently he found himself in that devoted to the royal mummies, and, being tired, rested there a while. Opposite to him, in a glass case in the middle of the gallery, reposed Rameses II. Near to, on shelves in a side case, were Rameses' son, Meneptah, and above, his son, Seti II, while in other cases were the mortal remains of many more of the royalties of Egypt. He looked at the proud face of Rameses and at the little fringe of white locks turned yellow by the embalmer's spices, also at the raised left arm. He remembered how the Director had told him that when they were unrolling this mighty monarch they went away to lunch, and that presently the man who had been left in charge of the body rushed into the room with his hair on end, and said that the dead king had lifted his arm and pointed at him.

Back they went, and there, true enough, was the arm lifted; nor were they ever able to get it quite into its place again. The explanation given was that the warmth of the sun had contracted the withered muscles, a very natural and correct explanation.

Still, Smith wished that he had not recollected the story just at this moment, especially as the arm seemed to move while he contemplated it —a very little, but still to move.

He turned round and gazed at Meneptah, whose hollow eyes stared at him from between the wrappings carelessly thrown across the parchment-like and ashen face. There, probably, lay the countenance that had frowned on Moses. There was the heart which God had hardened. Well, it was hard enough now, for the doctors said he died of ossification of the arteries, and that the vessels of the heart were full of lime!

Smith stood upon a chair and peeped at Seti II. above. His weaker countenance was very peaceful, but it seemed to wear an air of reproach. In getting down Smith managed to upset the heavy chair. The noise it made was terrific. He would not have thought it possible that the fall of such an article could produce so much sound. Satisfied with his inspection of these particular kings, who somehow looked quite different now from what they had ever done before—more real and imminent, so to speak—he renewed his search for a living man.

On he went, mummies to his right, mummies to his left, of every style and period, till he began to feel as though he never wished to see another dried remnant of mortality. He peeped into the room where lay the relics of Iouiya and Touiyou, the father and mother of the great Queen Taia. Cloths had been drawn over these, and really they looked worse and more suggestive thus draped than in their frigid and unadorned blackness. He came to the coffins of the priest-kings of the twentieth dynasty, formidable painted coffins with human faces. There seemed to be a vast number of these priest-kings, but perhaps they were better than the gold masks of the great Ptolemaic ladies which glinted at him through the gathering gloom.

Really, he had seen enough of the upper floors. The statues downstairs were better than all these dead, although it was true that, according to the Egyptian faith, every one of those statues was haunted eternally by the Ka, or Double, of the person whom it represented. He descended the great stairway. Was it fancy, or did something run across the bottom step in front of him—an animal of some kind, followed by a swift-moving and indefinite shadow? If so, it must have been the Museum cat hunting a Museum mouse. Only then what on earth was that very peculiar and unpleasant shadow?

He called, "Puss! puss! puss!" for he would have been quite glad of its company; but there came no friendly "miau" in response. Perhaps it was only the Ka of a cat and the shadow was—oh! never mind what. The Egyptians worshipped cats, and there were plenty of their mummies about on the shelves. But the shadow!

Once he shouted in the hope of attracting attention, for there were no windows to which he could climb. He did not repeat the experiment, for it seemed as though a thousand voices were answering him from every corner and roof of the gigantic edifice.

Well, he must face the thing out. He was shut in a museum, and the question was in what part of it he should camp for the night. Moreover, as it was growing rapidly dark, the problem must be solved at once. He thought with affection of the lavatory, where, before going to see the Director, only that afternoon he had washed his hands with the assistance of a kindly Arab who watched the door and gracefully accepted a piastre. But there was no Arab there now, and the door, like every other in this confounded place, was locked. He marched on to the entrance.

Here, opposite to each other, stood the red sarcophagi of the great Queen Hatshepu and her brother and husband, Thotmes III. He looked at them. Why should not one of these afford him a night's lodging? They were deep and quiet, and would fit the human frame very nicely. For a while Smith wondered which of these monarchs would be the more likely to take offence at such a use of a private sarcophagus, and, acting on general principles, concluded that he would rather throw himself on the mercy of the lady.

Already one of his legs was over the edge of that solemn coffer, and he was squeezing his body beneath the massive lid that was propped above it on blocks of wood, when he remembered a little, naked, withered thing with long hair that he had seen in a side chamber of the tomb of Amenhotep II. in the Valley of Kings at Thebes. This caricature of humanity many thought, and he agreed with them, to be the actual body of the mighty Hatshepu as it appeared after the robbers had done with it.

Supposing now, that when he was lying at the bottom of that sarcophagus, sleeping the sleep of the just, this little personage should peep over its edge and ask him what he was doing there! Of course the idea was absurd; he was tired, and his nerves were a little shaken. Still, the fact remained that for centuries the hallowed dust of Queen Hatshepu had slept where he, a modern man, was proposing to sleep.

He scrambled down from the sarcophagus and looked round him in despair. Opposite to the main entrance was the huge central hall of the Museum. Now the cement roof of this hall had, he knew, gone wrong, with the result that very extensive repairs had become necessary. So extensive were they, indeed, that the Director-General had informed him that they would take several years to complete. Therefore this hall was boarded up, only a little doorway being left by which the workmen could enter. Certain statues, of Seti II. and others, too large to be moved, were also roughly boarded over, as were some great funeral boats on either side of the entrance. The rest of the place, which might be two hundred feet long with a proportionate breadth, was empty save for the colossi of Amenhotep III. and his queen Taia that stood beneath the gallery at its farther end.

It was an appalling place in which to sleep, but better, reflected Smith, than a sarcophagus or those mummy chambers. If, for instance, he could creep behind the deal boards that enclosed one of the funeral boats he would be quite comfortable there. Lifting the curtain, he slipped into the hall, where the gloom of evening had already settled. Only the skylights and the outline of the towering colossi at the far end remained visible. Close to him were the two funeral boats which he had noted when he looked into the hall earlier on that day, standing at the head of a flight of steps which led to the sunk floor of the centre. He groped his way to that on the right. As he expected, the projecting planks were not quite joined at the bow. He crept in between them and the boat and laid himself down.

Presumably, being altogether tired out, Smith did ultimately fall asleep, for how long he never knew. At any rate, it is certain that, if so, he woke up again. He could not tell the time, because his watch was not a repeater, and the place was as black as the pit. He had some matches in his pocket, and might have struck one and even have lit his pipe. To his credit be it said, however, he remembered that he was the sole tenant of one of the most valuable museums in the world, and his responsibilities with reference to fire. So he refrained from striking that match under the keel of a boat which had become very dry in the course of five thousand years.

Smith found himself very wide awake indeed. Never in all his life did he remember being more so, not even in the hour of its great catastrophe, or when his godfather, Ebenezer, after much hesitation, had promised him a clerkship in the bank of which he was a director. His nerves seemed strung tight as harp-strings, and his every sense was painfully acute. Thus he could even smell the odour of mummies that floated down from the upper galleries and the earthy scent of the boat which had been buried for thousands of years in sand at the foot of the pyramid of one of the fifth dynasty kings.

Moreover, he could hear all sorts of strange sounds, faint and far-away sounds which at first he thought must emanate from Cairo without. Soon, however, he grew sure that their origin was more local. Doubtless the cement work and the cases in the galleries were cracking audibly, as is the unpleasant habit of such things at night.

Yet why should these common manifestations be so universal and affect him so strangely? Really, it seemed as though people were stirring all about him. More, he could have sworn that the great funeral boat beneath which he lay had become re-peopled with the crew that once it bore.

He heard them at their business above him. There were trampings and a sound as though something heavy were being laid on the deck, such, for instance, as must have been made when the mummy of Pharaoh was set there for its last journey to the western bank of the Nile. Yes, and now he could have sworn again that the priestly crew were getting out the oars.

Smith began to meditate flight from the neighbourhood of that place when something occurred which determined him to stop where he was.

The huge hall was growing light, but not, as at first he hoped, with the rays of dawn. This light was pale and ghostly, though very penetrating. Also it had a blue tinge, unlike any other he had ever seen. At first it arose in a kind of fan or fountain at the far end of the hall, illumining the steps there and the two noble colossi which sat above.

But what was this that stood at the head of the steps, radiating glory? By heavens! it was Osiris himself or the image of Osiris, god of the Dead, the Egyptian saviour of the world!

There he stood, in his mummy-cloths, wearing the feathered crown, and holding in his hands, which projected from an opening in the wrappings, the crook and the scourge of power. Was he alive, or was he dead? Smith could not tell, since he never moved, only stood there, splendid and fearful, his calm, benignant face staring into nothingness.

Smith became aware that the darkness between him and the vision of this god was peopled; that a great congregation was gathering, or had gathered there. The blue light began to grow; long tongues of it shot forward, which joined themselves together, illumining all that huge hall.

Now, too, he saw the congregation. Before him, rank upon rank of them, stood the kings and queens of Egypt. As though at a given signal, they bowed themselves to the Osiris, and ere the tinkling of their ornaments had died away, lo! Osiris was gone. But in his place stood another, Isis, the Mother of Mystery, her deep eyes looking forth from beneath the jewelled vulture-cap. Again the congregation bowed, and, lo! she was gone. But in her place stood yet another, a radiant, lovely being, who held in her hand the Sign of Life, and wore upon her head the symbol of the shining disc—Hathor, Goddess of Love. A third time the congregation bowed, and she, too, was gone; nor did any other appear in her place.

The Pharaohs and their queens began to move about and speak to each other; their voices came to his ears in one low, sweet murmur.

In his amaze Smith had forgotten fear. From his hiding-place he watched them intently. Some of them he knew by their faces. There, for instance, was the long-necked Khu-en-aten, talking somewhat angrily to the imperial Rameses II. Smith could understand what he said, for this power seemed to have been given to him. He was complaining in a high, weak voice that on this, the one night of the year when they might meet, the gods, or the magic images of the gods who were put up for them to worship, should not include his god, symbolized by the "Aten," or the sun's disc.

"I have heard of your Majesty's god," replied Rameses; "the priests used to tell me of him, also that he did not last long after your Majesty flew to heaven. The Fathers of Amen gave you a bad name; they called you 'the heretic' and hammered out your cartouches. They were quite rare in my time. Oh, do not let your Majesty be angry! So many of us have been heretics. My grandson, Seti, there"—and he pointed to a mild, thoughtful-faced man—"for example. I am told that he really worshipped the god of those Hebrew slaves whom I used to press to build my cities. Look at that lady with him. Beautiful, isn't she? Observe her large, violet eyes! Well, she was the one who did the mischief, a Hebrew herself. At least, they tell me so."

"I will talk with him," answered Khu-en-aten. "It is more than possible that we may agree on certain points. Meanwhile, let me explain to your Majesty——"

"Oh, I pray you, not now. There is my wife."

"Your wife?" said Khu-en-aten, drawing himself up. "Which wife? I am told that your Majesty had many and left a large family; indeed, I see some hundreds of them here to-night. Now, I—but let me introduce Nefertiti to your Majesty. I may explain that she was my only wife."

"So I have understood. Your Majesty was rather an invalid, were you not? Of course, in those circumstances, one prefers the nurse whom one can trust. Oh, pray, no offence! Nefertari, my love—oh, I beg pardon! —Astnefert—Nefertari has gone to speak to some of her children—let me introduce you to your predecessor, the Queen Nefertiti, wife of Amenhotep IV.—I mean Khu-en-aten (he changed his name, you know, because half of it was that of the father of the gods). She is interested in the question of plural marriage. Good-bye! I wish to have a word with my grandfather, Rameses I. He was fond of me as a little boy."

At this moment Smith's interest in that queer conversation died away, for of a sudden he beheld none other than the queen of his dreams, Ma-Mee. Oh! there she stood, without a doubt, only ten times more beautiful than he had ever pictured her. She was tall and somewhat fair-complexioned, with slumbrous, dark eyes, and on her face gleamed the mystic smile he loved. She wore a robe of simple white and a purple-broidered apron, a crown of golden uraei with turquoise eyes was set upon her dark hair as in her statue, and on her breast and arms were the very necklace and bracelets that he had taken from her tomb. She appeared to be somewhat moody, or rather thoughtful, for she leaned by herself against a balustrade, watching the throng without much interest.

Presently a Pharaoh, a black-browed, vigorous man with thick lips, drew near.

"I greet your Majesty," he said.

She started, and answered: "Oh, it is you! I make my obeisance to your Majesty," and she curtsied to him, humbly enough, but with a suggestion of mockery in her movements.

"Well, you do not seem to have been very anxious to find me, Ma-Mee, which, considering that we meet so seldom——"

"I saw that your Majesty was engaged with my sister queens," she interrupted, in a rich, low voice, "and with some other ladies in the gallery there, whose faces I seem to remember, but who I think were not queens. Unless, indeed, you married them after I was drawn away."

"One must talk to one's relations," replied the Pharaoh.

"Quite so. But, you see, I have no relations—at least, none whom I know well. My parents, you will remember, died when I was young, leaving me Egypt's heiress, and they are still vexed at the marriage which I made on the advice of my counsellors. But, is it not annoying? I have lost one of my rings, that which had the god Bes on it. Some dweller on the earth must be wearing it to-day, and that is why I cannot get it back from him."

"Him! Why 'him'? Hush; the business is about to begin."

"What business, my lord?"

"Oh, the question of the violation of our tombs, I believe."

"Indeed! That is a large subject, and not a very profitable one, I should say. Tell me, who is that?" And she pointed to a lady who had stepped forward, a very splendid person, magnificently arrayed.

"Cleopatra the Greek," he answered, "the last of Egypt's Sovereigns, one of the Ptolemys. You can always know her by that Roman who walks about after her."

"Which?" asked Ma-Mee. "I see several—also other men. She was the wretch who rolled Egypt in the dirt and betrayed her. Oh, if it were not for the law of peace by which we must abide when we meet thus!"

"You mean that she would be torn to shreds, Ma-Mee, and her very soul scattered like the limbs of Osiris? Well, if it were not for that law of peace, so perhaps would many of us, for never have I heard a single king among these hundreds speak altogether well of those who went before or followed after him."

"Especially of those who went before if they happen to have hammered out their cartouches and usurped their monuments," said the queen, dryly, and looking him in the eyes.

At this home-thrust the Pharaoh seemed to wince. Making no answer, he pointed to the royal woman who had mounted the steps at the end of the hall.

Queen Cleopatra lifted her hand and stood thus for a while. Very splendid she was, and Smith, on his hands and knees behind the boarding of the boat, thanked his stars that alone among modern men it had been his lot to look upon her rich and living loveliness. There she shone, she who had changed the fortunes of the world, she who, whatever she did amiss, at least had known how to die.

Silence fell upon that glittering galaxy of kings and queens and upon all the hundreds of their offspring, their women, and their great officers who crowded the double tier of galleries around the hall.

"Royalties of Egypt," she began, in a sweet, clear voice which penetrated to the farthest recesses of the place, "I, Cleopatra, the sixth of that name and the last monarch who ruled over the Upper and the Lower Lands before Egypt became a home of slaves, have a word to say to your Majesties, who, in your mortal days, all of you more worthily filled the throne on which once I sat. I do not speak of Egypt and its fate, or of our sins—whereof mine were not the least—that brought her to the dust. Those sins I and others expiate elsewhere, and of them, from age to age, we hear enough. But on this one night of the year, that of the feast of him whom we call Osiris, but whom other nations have known and know by different names, it is given to us once more to be mortal for an hour, and, though we be but shadows, to renew the loves and hates of our long-perished flesh. Here for an hour we strut in our forgotten pomp; the crowns that were ours still adorn our brows, and once more we seem to listen to our people's praise. Our hopes are the hopes of mortal life, our foes are the foes we feared, our gods grow real again, and our lovers whisper in our ears. Moreover, this joy is given to us—to see each other as we are, to know as the gods know, and therefore to forgive, even where we despise and hate. Now I have done, and I, the youngest of the rulers of ancient Egypt, call upon him who was the first of her kings to take my place."

She bowed, and the audience bowed back to her. Then she descended the steps and was lost in the throng. Where she had been appeared an old man, simply-clad, long-bearded, wise-faced, and wearing on his grey hair no crown save a plain band of gold, from the centre of which rose the snake-headed uraeus crest.

"Your Majesties who came after me," said the old man, "I am Menes, the first of the accepted Pharaohs of Egypt, although many of those who went before me were more truly kings than I. Yet as the first who joined the Upper and the Lower Lands, and took the royal style and titles, and ruled as well as I could rule, it is given to me to talk with you for a while this night whereon our spirits are permitted to gather from the uttermost parts of the uttermost worlds and see each other face to face. First, in darkness and in secret, let us speak of the mystery of the gods and of its meanings. Next, in darkness and in secret, let us speak of the mystery of our lives, of whence they come, of where they tarry by the road, and whither they go at last. And afterwards, let us speak of other matters face to face in light and openness, as we were wont to do when we were men. Then hence to Thebes, there to celebrate our yearly festival. Is such your will?"

"Such is our will," they answered.

It seemed to Smith that dense darkness fell upon the place, and with it a silence that was awful. For a time that he could not reckon, that might have been years or might have been moments, he sat there in the utter darkness and the utter silence.

At length the light came again, first as a blue spark, then in upward pouring rays, and lastly pervading all. There stood Menes on the steps, and there in front of him was gathered the same royal throng.

"The mysteries are finished," said the old king. "Now, if any have aught to say, let it be said openly."

A young man dressed in the robes and ornaments of an early dynasty came forward and stood upon the steps between the Pharaoh Menes and all those who had reigned after him. His face seemed familiar to Smith, as was the side lock that hung down behind his right ear in token of his youth. Where had he seen him? Ah, he remembered. Only a few hours ago lying in one of the cases of the Museum, together with the bones of the Pharaoh Unas.

"Your Majesties," he began, "I am the King Metesuphis. The matter that I wish to lay before you is that of the violation of our sepulchres by those men who now live upon the earth. The mortal bodies of many who are gathered here to-night lie in this place to be stared at and mocked by the curious. I myself am one of them, jawless, broken, hideous to behold. Yonder, day by day, must my Ka sit watching my desecrated flesh, torn from the pyramid that, with cost and labour, I raised up to be an eternal house wherein I might hide till the hour of resurrection. Others of us lie in far lands. Thus, as he can tell you, my predecessor, Man-kau-ra, he who built the third of the great pyramids, the Pyramid of Her, sleeps, or rather wakes in a dark city, called London, across the seas, a place of murk where no sun shines. Others have been burnt with fire, others are scattered in small dust. The ornaments that were ours are stole away and sold to the greedy; our sacred writings and our symbols are their jest. Soon there will not be one holy grave in Egypt that remains undefiled."

"That is so," said a voice from the company. "But four months gone the deep, deep pit was opened that I had dug in the shadow of the Pyramid of Cephren, who begat me in the world. There in my chamber I slept alone, two handfuls of white bones, since when I died they did not preserve the body with wrappings and with spices. Now I see those bones of mine, beside which my Double has watched for these five thousand years, hid in the blackness of a great ship and tossing on a sea that is strewn with ice."

"It is so," echoed a hundred other voices.

"Then," went on the young king, turning to Menes, "I ask of your Majesty whether there is no means whereby we may be avenged on those who do us this foul wrong."

"Let him who has wisdom speak," said the old Pharaoh.

A man of middle age, short in stature and of a thoughtful brow, who held in his hand a wand and wore the feathers and insignia of the heir to the throne of Egypt and of a high priest of Amen, moved to the steps. Smith knew him at once from his statues. He was Khaemuas, son of Rameses the Great, the mightiest magician that ever was in Egypt, who of his own will withdrew himself from earth before the time came that he should sit upon the throne.

"I have wisdom, your Majesties, and I will answer," he said. "The time draws on when, in the land of Death which is Life, the land that we call Amenti, it will be given to us to lay our wrongs as to this matter before Those who judge, knowing that they will be avenged. On this night of the year also, when we resume the shapes we were, we have certain powers of vengeance, or rather of executing justice. But our time is short, and there is much to say and do before the sun-god Ra arises and we depart each to his place. Therefore it seems best that we should leave these wicked ones in their wickedness till we meet them face to face beyond the world."

Smith, who had been following the words of Khaemuas with the closest attention and considerable anxiety, breathed again, thanking Heaven that the engagements of these departed monarchs were so numerous and pressing. Still, as a matter of precaution, he drew the cigar-box which contained Ma-Mee's hand from his pocket, and pushed it as far away from him as he could. It was a most unlucky act. Perhaps the cigar-box grated on the floor, or perhaps the fact of his touching the relic put him into psychic communication with all these spirits. At any rate, he became aware that the eyes of that dreadful magician were fixed upon him, and that a bone had a better chance of escaping the search of a Rontgen ray than he of hiding himself from their baleful glare.

"As it happens, however," went on Khaemuas, in a cold voice, "I now perceive that there is hidden in this place, and spying on us, one of the worst of these vile thieves. I say to your Majesties that I see him crouched beneath yonder funeral barge, and that he has with him at this moment the hand of one of your Majesties, stolen by him from her tomb at Thebes."

Now every queen in the company became visibly agitated (Smith, who was watching Ma-Mee, saw her hold up her hands and look at them), while all the Pharaohs pointed with their fingers and exclaimed together, in a voice that rolled round the hall like thunder:

"Let him be brought forth to judgment!"

Khaemuas raised his wand and, holding it towards the boat where Smith was hidden, said:

"Draw near, Vile One, bringing with thee that thou hast stolen."

Smith tried hard to remain where he was. He sat himself down and set his heels against the floor. As the reader knows, he was always shy and retiring by disposition, and never had these weaknesses oppressed him more than they did just then. When a child his favourite nightmare had been that the foreman of a jury was in the act of proclaiming him guilty of some dreadful but unstated crime. Now he understood what that nightmare foreshadowed. He was about to be convicted in a court of which all the kings and queens of Egypt were the jury, Menes was Chief Justice, and the magician Khaemuas played the role of Attorney-General.

In vain did he sit down and hold fast. Some power took possession of him which forced him first to stretch out his arm and pick up the cigar-box containing the hand of Ma-Mee, and next drew him from the friendly shelter of the deal boards that were about the boat.

Now he was on his feet and walking down the flight of steps opposite to those on which Menes stood far away. Now he was among all that throng of ghosts, which parted to let him pass, looking at him as he went with cold and wondering eyes. They were very majestic ghosts; the ages that had gone by since they laid down their sceptres had taken nothing from their royal dignity. Moreover, save one, none of them seemed to have any pity for his plight. She was a little princess who stood by her mother, that same little princess whose mummy he had seen and pitied in the Director's room with a lotus flower thrust beneath her bandages. As he passed Smith heard her say:

"This Vile One is frightened. Be brave, Vile One!"

Smith understood, and pride came to his aid. He, a gentleman of the modern world, would not show the white feather before a crowd of ancient Egyptian ghosts. Turning to the child, he smiled at her, then drew himself to his full height and walked on quietly. Here it may be stated that Smith was a tall man, still comparatively young, and very good-looking, straight and spare in frame, with dark, pleasant eyes and a little black beard.

"At least he is a well-favoured thief," said one of the queens to another.

"Yes," answered she who had been addressed. "I wonder that a man with such a noble air should find pleasure in disturbing graves and stealing the offerings of the dead," words that gave Smith much cause for thought. He had never considered the matter in this light.

Now he came to the place where Ma-Mee stood, the black-browed Pharaoh who had been her husband at her side. On his left hand which held the cigar-box was the gold Bes ring, and that box he felt constrained to carry pressed against him just over his heart.

As he went by he turned his head, and his eyes met those of Ma-Mee. She started violently. Then she saw the ring upon his hand and again started still more violently.

"What ails your Majesty?" asked the Pharaoh.

"Oh, naught," she answered. "Yet does this earth-dweller remind you of anyone?"

"Yes, he does," answered the Pharaoh. "He reminds me very much of that accursed sculptor about whom we had words."

"Do you mean a certain Horu, the Court artist; he who worked the image that was buried with me, and whom you sent to carve your statues in the deserts of Kush, until he died of fevers—or was it poison?"

"Aye; Horu and no other, may Set take and keep him!" growled the Pharaoh.

Then Smith passed on and heard no more. Now he stood before the venerable Menes. Some instinct caused him to bow to this Pharaoh, who bowed back to him. Then he turned and bowed to the royal company, and they also bowed back to him, coldly, but very gravely and courteously.

"Dweller on the world where once we had our place, and therefore brother of us, the dead," began Menes, "this divine priest and magician"—and he pointed to Khaemuas—"declares that you are one of those who foully violate our sepulchres and desecrate our ashes. He declares, moreover, that at this very moment you have with you a portion of the mortal flesh of a certain Majesty whose spirit is present here. Say, now, are these things true?"

To his astonishment Smith found that he had not the slightest difficulty in answering in the same sweet tongue.

"O King, they are true, and not true. Hear me, rulers of Egypt. It is true that I have searched in your graves, because my heart has been drawn towards you, and I would learn all that I could concerning you, for it comes to me now that once I was one of you—no king, indeed, yet perchance of the blood of kings. Also—for I would hide nothing even if I could—I searched for one tomb above all others."

"Why, O man?" asked the Judge.

"Because a face drew me, a lovely face that was cut in stone."

Now all that great audience turned their eyes towards him and listened as though his words moved them.

"Did you find that holy tomb?" asked Menes. "If so, what did you find therein?"

"Aye, Pharaoh, and in it I found these," and he took from the box the withered hand, from his pocket the broken bronze, and from his finger the ring.

"Also I found other things which I delivered to the keeper of this place, articles of jewellery that I seem to see to-night upon one who is present here among you."

"Is the face of this figure the face you sought?" asked the Judge.

"It is the lovely face," he answered.

Menes took the effigy in his hand and read the cartouche that was engraved beneath its breast.

"If there be here among us," he said, presently, "one who long after my day ruled as queen in Egypt, one who was named Ma-Me, let her draw near."

Now from where she stood glided Ma-Mee and took her place opposite to Smith.

"Say, O Queen," asked Menes, "do you know aught of this matter?"

"I know that hand; it was my own hand," she answered. "I know that ring; it was my ring. I know that image in bronze; it was my image. Look on me and judge for yourselves whether this be so. A certain sculptor fashioned it, the son of a king's son, who was named Horu, the first of sculptors and the head artist of my Court. There, clad in strange garments, he stands before you. Horu, or the Double of Horu, he who cut the image when I ruled in Egypt, is he who found the image and the man who stands before you; or, mayhap, his Double cast in the same mould."

The Pharaoh Menes turned to the magician Khaemuas and said:—

"Are these things so, O Seer?"

"They are so," answered Khaemuas. "This dweller on the earth is he who, long ago, was the sculptor Horu. But what shall that avail? He, once more a living man, is a violator of the hallowed dead. I say, therefore, that judgment should be executed on his flesh, so that when the light comes here to-morrow he himself will again be gathered to the dead."

Menes bent his head upon his breast and pondered. Smith said nothing. To him the whole play was so curious that he had no wish to interfere with its development. If these ghosts wished to make him of their number, let them do so. He had no ties on earth, and now when he knew full surely that there was a life beyond this of earth he was quite prepared to explore its mysteries. So he folded his arms upon his breast and awaited the sentence.

But Ma-Mee did not wait. She raised her hand so swiftly that the bracelets jingled on her wrists, and spoke out with boldness.

"Royal Khaemuas, prince and magician," she said, "hearken to one who, like you, was Egypt's heir centuries before you were born, one also who ruled over the Two Lands, and not so ill—which, Prince, never was your lot. Answer me! Is all wisdom centred in your breast? Answer me! Do you alone know the mysteries of Life and Death? Answer me! Did your god Amen teach you that vengeance went before mercy? Answer me! Did he teach you that men should be judged unheard? That they should be hurried by violence to Osiris ere their time, and thereby separated from the dead ones whom they loved and forced to return to live again upon this evil Earth?

"Listen: when the last moon was near her full my spirit sat in my tomb in the burying-place of queens. My spirit saw this man enter into my tomb, and what he did there. With bowed head he looked upon my bones that a thief of the priesthood had robbed and burnt within twenty years of their burial, in which he himself had taken part. And what did this man with those bones, he who was once Horu? I tell you that he hid them away there in the tomb where he thought they could not be found again. Who, then, was the thief and the violator? He who robbed and burnt my bones, or he who buried them with reverence? Again, he found the jewels that the priest of your brotherhood had dropped in his flight, when the smoke of the burning flesh and spices overpowered him, and with them the hand which that wicked one had broken off from the body of my Majesty. What did this man then? He took the jewels. Would you have had him leave them to be stolen by some peasant? And the hand? I tell you that he kissed that poor dead hand which once had been part of the body of my Majesty, and that now he treasures it as a holy relic. My spirit saw him do these things and made report thereof to me. I ask you, therefore, Prince, I ask you all, Royalties of Egypt—whether for such deeds this man should die?"

Now Khaemuas, the advocate of vengeance, shrugged his shoulders and smiled meaningly, but the congregation of kings and queens thundered an answer, and it was:—

"No!"

Ma-Mee looked to Menes to give judgment. Before he could speak the dark-browed Pharaoh who had named her wife strode forward and addressed them.

"Her Majesty, Heiress of Egypt, Royal Wife, Lady of the Two Lands, has spoken," he cried. "Now let me speak who was the husband of her Majesty. Whether this man was once Horu the sculptor I know not. If so he was also an evil-doer who, by my decree, died in banishment in the land of Kush. Whatever be the truth as to that matter, he admits that he violated the tomb of her Majesty and stole what the old thieves had left. Her Majesty says also—and he does not deny it—that he dared to kiss her hand, and for a man to kiss the hand of a wedded Queen of Egypt the punishment is death. I claim that this man should die to the World before his time, that in a day to come again he may live and suffer in the World. Judge, O Menes."

Menes lifted his head and spoke, saying:—

"Repeat to me the law, O Pharaoh, under which a living man must die for the kissing of a dead hand. In my day and in that of those who went before me there was no such law in Egypt. If a living man, who was not her husband, or of her kin, kissed the living hand of a wedded Queen of Egypt, save in ceremony, then perchance he might be called upon to die. Perchance for such a reason a certain Horu once was called upon to die. But in the grave there is no marriage, and therefore even if he had found her alive within the tomb and kissed her hand, or even her lips, why should he die for the crime of love?

"Hear me, all; this is my judgment in the matter. Let the soul of that priest who first violated the tomb of the royal Ma-Mee be hunted down and given to the jaws of the Destroyer, that he may know the last depths of Death, if so the gods declare. But let this man go from among us unharmed, since what he did he did in reverent ignorance and because Hathor, Goddess of Love, guided him from of old. Love rules this world wherein we meet to-night, with all the worlds whence we have gathered or whither we still must go. Who can defy its power? Who can refuse its rites? Now hence to Thebes!"

There was a rushing sound as of a thousand wings, and all were gone.

No, not all, since Smith yet stood before the draped colossi and the empty steps, and beside him, glorious, unearthly, gleamed the vision of Ma-Mee.

"I, too, must away," she whispered; "yet ere I go a word with you who once were a sculptor in Egypt. You loved me then, and that love cost you your life, you who once dared to kiss this hand of mine that again you kissed in yonder tomb. For I was Pharaoh's wife in name only; understand me well, in name only; since that title of Royal Mother which they gave me is but a graven lie. Horu, I never was a wife, and when you died, swiftly I followed you to the grave. Oh, you forget, but I remember! I remember many things. You think that the priestly thief broke this figure of me which you found in the sand outside my tomb. Not so. I broke it, because, daring greatly, you had written thereon, 'Beloved,' not 'of Horus the God,' as you should have done, but 'of Horu the Man.' So when I came to be buried, Pharaoh, knowing all, took the image from my wrappings and hurled it away. I remember, too, the casting of that image, and how you threw a gold chain I had given you into the crucible with the bronze, saying that gold alone was fit to fashion me. And this signet that I bear—it was you who cut it. Take it, take it, Horu, and in its place give me back that which is on your hand, the Bes ring that I also wore. Take it and wear it ever till you die again, and let it go to the grave with you as once it went to the grave with me.

"Now hearken. When Ra the great sun arises again and you awake you will think that you have dreamed a dream. You will think that in this dream you saw and spoke with a lady of Egypt who died more than three thousand years ago, but whose beauty, carved in stone and bronze, has charmed your heart to-day. So let it be, yet know, O man, who once was named Horu, that such dreams are oft-times a shadow of the truth. Know that this Glory which shines before you is mine indeed in the land that is both far and near, the land wherein I dwell eternally, and that what is mine has been, is, and shall be yours for ever. Gods may change their kingdoms and their names; men may live and die, and live again once more to die; empires may fall and those who ruled them be turned to forgotten dust. Yet true love endures immortal as the souls in which it was conceived, and from it for you and me, the night of woe and separation done, at the daybreak which draws on, there shall be born the splendour and the peace of union. Till that hour foredoomed seek me no more, though I be ever near you, as I have ever been. Till that most blessed hour, Horu, farewell."

She bent towards him; her sweet lips touched his brow; the perfume from her breath and hair beat upon him; the light of her wondrous eyes searched out his very soul, reading the answer that was written there.

He stretched out his arms to clasp her, and lo! she was gone.

It was a very cold and a very stiff Smith who awoke on the following morning, to find himself exactly where he had lain down—namely, on a cement floor beneath the keel of a funeral boat in the central hall of the Cairo Museum. He crept from his shelter shivering, and looked at this hall, to find it quite as empty as it had been on the previous evening. Not a sign or a token was there of Pharaoh Menes and all those kings and queens of whom he had dreamed so vividly.

Reflecting on the strange phantasies that weariness and excited nerves can summon to the mind in sleep, Smith made his way to the great doors and waited in the shadow, praying earnestly that, although it was the Mohammedan Sabbath, someone might visit the Museum to see that all was well.

As a matter of fact, someone did, and before he had been there a minute—a watchman going about his business. He unlocked the place carelessly, looking over his shoulder at a kite fighting with two nesting crows. In an instant Smith, who was not minded to stop and answer questions, had slipped past him and was gliding down the portico, from monument to monument, like a snake between boulders, still keeping in the shadow as he headed for the gates.

The attendant caught sight of him and uttered a yell of fear; then, since it is not good to look upon an afreet, appearing from whence no mortal man could be, he turned his head away. When he looked again Smith was through those gates and had mingled with the crowd in the street beyond.

The sunshine was very pleasant to one who was conscious of having contracted a chill of the worst Egyptian order from long contact with a damp stone floor. Smith walked on through it towards his hotel—it was Shepheard's, and more than a mile away—making up a story as he went to tell the hall-porter of how he had gone to dine at Mena House by the Pyramids, missed the last tram, and stopped the night there.

Whilst he was thus engaged his left hand struck somewhat sharply against the corner of the cigar-box in his pocket, that which contained the relic of the queen Ma-Mee. The pain caused him to glance at his fingers to see if they were injured, and to perceive on one of them the ring he wore. Surely, surely it was not the same that the Director-General had given him! That ring was engraved with the image of the god Bes. On this was cut the cartouche of her Majesty Ma-mee! And he had dreamed—oh, he had dreamed——!

To this day Smith is wondering whether, in the hurry of the moment, he made a mistake as to which of those rings the Director-General had given him as part of his share of the spoil of the royal tomb he discovered in the Valley of Queens. Afterwards Smith wrote to ask, but the Director-General could only remember that he gave him one of the two rings, and assured him that that inscribed "Bes Ank, Ank Bes," was with Ma-Mee's other jewels in the Gold Room of the Museum.

Also Smith is wondering whether any other bronze figure of an old Egyptian royalty shows so high a percentage of gold as, on analysis, the broken image of Ma-Mee was proved to do. For had she not seemed to tell him a tale of the melting of a golden chain when that effigy was cast?

Was it all only a dream, or was it—something more—by day and by night he asks of Nothingness?

But, be she near or far, no answer comes from the Queen Ma-Mee, whose proud titles were "Her Majesty the Good God, the justified Dweller in Osiris; Daughter of Amen, Royal Heiress, Royal Sister, Royal Wife, Royal Mother; Lady of the Two Lands; Wearer of the Double Crown; of the White Crown, of the Red Crown; Sweet Flower of Love, Beautiful Eternally."

So, like the rest of us, Smith must wait to learn the truth concerning many things, and more particularly as to which of those two circles of ancient gold the Director-General gave him yonder at Cairo.

It seems but a little matter, yet it is more than all the worlds to him!

To the astonishment of his colleagues in antiquarian research, Smith has never returned to Egypt. He explains to them that his health is quite restored, and that he no longer needs this annual change to a more temperate clime.

Now, which of the two royal rings did the Director-General return to Smith on the mummied hand of her late Majesty Ma-Mee?