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 consoler. I hasten to add that this resolve was only sub-conscious in the good woman. Her grief was perfectly sincere. And it was not the less so because with it was mingled a certain joy in the greatness of the calamity. She came of good sound peasant stock. Abiding in her was the spirit of those old songs and ballads in which daisies and daffodillies and lovers' vows and smiles are so strangely inwoven with tombs and ghosts, with murders and all manner of grim things. She had not had education enough to spoil her nerve. She was able to take the rough with the smooth. She was able to take all life for her province, and death too.

The Duke was dead. This was the stupendous outline she had grasped: now let it be filled in. She had been stricken: now let her be racked. Soon after her daughter had moved away, Mrs. Batch dried her eyes, and bade Clarence tell just what had happened. She did not flinch. Modern Katie did.

Such had ever been the Duke's magic in the household that Clarence had at first forgotten to mention that any one else was dead. Of this omission he was glad. It promised him a new lease of importance. Meanwhile, he described in greater detail the Duke's plunge. Mrs. Batch's mind, while she listened, ran ahead, dog-like, into the immediate future, ranging around: "the family" would all be here to-morrow, the