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was writing an anonymous novel, and a large circle of friends and acquaintances expected it to make a big hit. Louis Maunders was so modest that he distrusted his own opinion, and was glad to find his friends sharing it in this matter. It strengthened him. He carried the manuscript unostentatiously about in a long brief bag, while the book was writing, and worked at it during all his spare moments. Even in omnibuses he was to be seen scribbling hard with a stylus, and neglecting to attend to the conductor. The plot of the story was sad and heart-rending, for Louis was only twenty-one. Louis refused to give those roseate pictures of life which the conventional novelist turns out to please the public. He objected to "happy endings." In real life, he said, no story ends happily; for the end of everybody's story is Death. In this book he said some bitter things about Life which it would have winced to hear, had it been alive. As for Death, he doubted whether it was worth dying. Towards Nature he took a tone of haughty superiority, and expressed himself disrespectfully on the subject of Fate. He mocked at it through the lips of his hero, and altogether seemed qualifying for the liver complaint, which is the Prometheus myth done into modern English. He taught that the only Peace for man lies in snapping the fingers at Fortune, taking her buffets and her favours with equal contempt, and generally teaching her to know her place. The soul of the Philoso-