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 with me. And let so-and-so take his clarionette and play a tune before the skeleton, but for what purpose I know not."

John Wroe answered—"If the Lord hath commanded me to go, I will go; if not, I cannot go."

This Living Skeleton was Claude Ambroise Seurat, born in 1797, who was exhibited in London in 1825. His flesh had wasted completely away, and when he had attained his full height he presented the extraordinary spectacle of a skeleton covered with skin, alive and able to move and converse. A portion of Mr. Hones' description of him must be quoted here:—"He seemed another 'Lazarus come forth,' without his grave-clothes, and for a moment I was too consternated to observe more than his general appearance. My eye then first caught the arm as the most remarkable limb; from the shoulder to the elbow it is like an ivory German flute, somewhat deepened in colour by age; it is not larger, and the skin is of that hue, and not having a trace of muscle, it is as perfect a cylinder as a writing-rule. Amazed by the wasted limbs, I was still more amazed by the extraordinary depression of the chest. Its indentation is similar to that which an over-careful mother makes in the pillowed surface of an infant's bed for its repose. Nature has here inverted her own order, and turned the convex inwards, while nobler organs, obedient to her will, maintain life by the gentle exercise of their wonted functions in a lower region. If the integument of the bowels can be called flesh, it is the only flesh on the body; for it seems to have wholly shrunk from the limbs, and where the muscles that have not wholly disappeared remain, they are also shrunk."

That this emaciated object, whose appearance in London created a sensation, should have been supposed by superstitious people, eagerly looking out for portents and