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A LIVELIHOOD

The two young fellows Maxim Klopatzel and Israel Friedman were natives of the same town in New Bessarabia, and there was an old link existing between them: a mutual detestation inherited from their respective parents. Maxim’s father was the chief Gentile of the town, for he rented the corn-fields of its richest inhabitant; and as the lawyer of the rich citizen was a Jew, little Maxim imagined, when his father came to lose his tenantry, that it was owing to the Jews. Little Struli was the only Jewish boy he knew (the children were next door neighbors), and so a large share of their responsibility was laid on Struli’s shoulders. Later on, when Klopatzel, the father, had abandoned the plough and taken to trade, he and old Friedman frequently came in contact with each other as rivals.

They traded and traded, and competed one against the other, till they both become bankrupt, when each argued to himself that the other was at the bottom of his misfortune—and their children grew on in mutual hatred.

A little later still, Maxim put down to Struli’s account part of the nails which were hammered into his Savior, over at the other end of the town, by the well, where the Government and the Church had laid out money and set up a crucifix with a ladder, a hammer, and all other necessary implements.

And Struli, on his part, had an account to settle with Maxim respecting certain other nails driven in with