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HILST Henry Leroux collected his thoughts, Dr. Cumberly glanced across at the writing-table where lay the fragment of paper which had been clutched in the dead woman’s hand, then turned his head again toward the inspector, staring at him curiously. Since Dunbar had not yet attempted even to glance at the strange message, he wondered what had prompted the present line of inquiry.

“My wife,” began Leroux, “shared a studio in Paris, at the time that I met her, with an American lady—a very talented portrait painter—er—a Miss Denise Ryland. You may know her name?—but of course, you don’t, no! Well, my wife is, herself, quite clever with her brush; in fact she has exhibited more than once at the Paris Salon. We agreed at—er—the time of our—of our—engagement, that she should be free to visit her old artistic friends in Paris at any time. You understand? There was to be no let or hindrance.…Is this really necessary, Inspector?”

“Pray go on, Mr. Leroux.”

“Well, you understand, it was a give-and-take