Page:Works of Voltaire Volume 36.djvu/24

6 by which man is overwhelmed, end in general good, all civilized nations have been wrong in endeavoring to trace out the origin of moral and physical evil. If a man devoured by wild beasts, causes the well-being of those beasts, and contributes to promote the orders of the universe; if the misfortunes of individuals are only the consequence of this general and necessary order, we are nothing more than wheels which serve to keep the great machine in motion; we are not more precious in the eyes of God, than the animals by whom we are devoured.

These are the inferences which were drawn from Mr. Pope's poem; and these very conclusions increased the sale and success of the work. But it should have been seen from another point of view. Readers should have considered the reverence for the Deity, the resignation to His supreme will, the useful morality, and the spirit of toleration, which breathe through this excellent poem. This the public has done, and the work being translated by men equal to the task, has completely triumphed over critics, though it turned on matters of so delicate a nature.

It is the nature of over violent censurers to give importance to the opinions which they attack. A book is railed at on account of its success, and a thousand errors are imputed to it. What is the consequence of this? Men, disgusted with these invectives, take for truths the very errors which these critics think they have discovered. Cavillers raise phantoms on purpose to combat them, and indignant readers embrace these very phantoms.

Critics have declared that Pope and Leibnitz maintain the doctrine of fatality; the partisans of Leibnitz and Pope have said on the other hand that, if Leibnitz and Pope have taught the doctrine of fatality, they were in the right, and all this invincible fatality we should believe.

Pope had advanced that "whatever is, is right," in a sense that might very well be admitted, and his followers maintain the same proposition in a sense that may very well be contested.

The author of the poem, "The Lisbon Earthquake," does not write against the illustrious Pope, whom he always loved and admired; he agrees with him in almost every particular, but compassionating the misery of man; he declares against the abuse of the new maxim, "whatever is, is right." He maintains that ancient and sad truth acknowledged by all men, that there is evil upon earth; he acknowledges that the words "whatever is, is right," if understood in a positive sense, and without any hopes of a happy future state, only insult us in our present misery.

If, when Lisbon, Moquinxa, Tetuan, and other cities were swallowed up with a great number of their inhabitants in