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 within a week had it taken off the boards. Invited by Frederick, he went in September to Aix-la-Chapelle. There the king again tried to lure him to Prussia. Frederick offered him a handsome house in Berlin, a fine estate in the country, a princely income, and the free enjoyment of his time, all of which to have Voltaire near him; but Voltaire loved his native country, notwithstanding its persecutions, its Bastille, its suppression of his dramas, its Jansenists, Convulsionists, Desfontaines, and its frequent exiling of its most illustrious son; and he loved his friends and was faithful; and so, declining the king's bounty, he went back to Paris. He devoted himself for a year to the production of plays, drilling the actors, subjecting every detail to the closest scrutiny, and creating successes that eclipsed even his own earlier efforts. It is said that the "Mérope" drowned the theatre in tears, and caused high excitement.

1745—In January, Voltaire took up his abode in Versailles to superintend rehearsals, and in consideration of his labors at the fête, the king appointed him historiographer of France, on a yearly salary of 2,000 francs, and promised him the next vacant chair in the Academy. Voltaire considered this fair remuneration for a year of much toil in matters of the court. During these turbulent times, when a skilful pen was needed he was called upon. He was at this time in high favor with the king; Madame de Pompadour and many other influential persons also favored his aspirations. Voltaire dedicated "Mahomet" to the Pope, and sent a copy and a letter to him, out of which grew an interesting correspondence, the publication of which proclaimed his good standing with the head of the Church. He was elected to the Academy in 1746.

1747—Private theatricals among the nobility were greatly in vogue at this time, and Madame de Pompadour selected Voltaire's comedy, "The Prodigal," to be played in the palace before the king. It was a striking success, and the author, in acknowledgment of the compliment, addressed a poem to Madame de Pompadour in which occurred an indiscreet allusion to her relations with the king.