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 at some parts of the piece which were most affecting, and best acted. One of these talkers said to him between the acts. "You are greatly to blame to shed tears; that actress plays horribly, and the man that plays with her still worse, and the piece itself is still more execrable than the representation. The author does not understand a word of Arabic, and yet he has laid his scene in Arabia, and what is more, he is a fellow who does not believe in innate ideas. Tomorrow I will bring you a score of pamphlets that have been written against him." "Pray, sir," said Candide to the abbé, "how many theatrical pieces have you in France?" "Five or six thousand," replied the abbé. "Indeed! that is a great number," said Candide, "but how many good ones may there be?" "About fifteen or sixteen." "Oh! that is a great number," said Martin.

Candide was greatly taken with an actress, who performed the part of Queen Elizabeth in a dull kind of tragedy that is played sometimes. "That actress," said he to Martin, "pleases me greatly; she has some sort of resemblance to Miss Cunegund. I should be very glad to pay my respects to her." The abbé of Perigord offered his service to introduce him to her at her own house. Candide, who was brought up in Germany, desired to know what might be the ceremonial used on those occasions, and how a queen of England was treated in France. "There is a necessary distinction to be observed in these matters," said the abbé. "In a country town we take