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 seniority; and two years afterwards promoted, in consequence, to be Rath in the Kammergericht, or Exchequer Court of the capital.

Hoffmann's situation, after all his buffetings, might now be considered enviable: the income of his post was amply sufficient, and its labour not excessive; his best friends were in his neighbourhood, Hitzig was working with him at the same table; his public conduct was irreprehensible, and his literary fame was rapidly spreading. The Fantasiestücke were already universally popular; the Elixiere des Teufels (Devil's Elixir, a Novel in two volumes, since translated into English) had just been given to the circulating libraries; and his Opera of Undine, which Fouqué had versified for Hoffmann's music, was brought out on the Berlin stage with loud plaudits, and reviewed with praises by Weber himself. Hoffmann was happy; and had he been wise, might still have continued happy: but he was not wise, and in this cup of joy there lurked for him a deadly poison.

Berlin, like most other cities, prides itself in being somewhat of a modern Athens; and Hoffmann, the wonder of the day, was invited with the warmest blandishments to participate in its musical and literary tea. But in these polished circles Hoffmann prospered ill: he was sharp-tempered; vain, indeed, but transcendently vain; he required the wittiest talk or the most entire audience; and had a heart-hatred to inanity, however gentle and refined. When his company grew tiresome, he 'made the most terrific faces'; would answer the languishing raptures of some perfumed critic by an observation on the weather; would transfix half a dozen harmless dilettanti through the vitals, each on his several bolt; nay, in the end, give vent to his spleen by talking like a sheer maniac; in short, never cease till, one way or other, the hapless circle was reduced to utter desolation. To this intellectual beverage he was seldom twice invited; and ere long, the musical and literary Tea-urn was for him a closed fountain.