Page:Works of Jules Verne - Parke - Vol 7.djvu/401

 ductor only waited the sound of the bell to beat the first bar.

The bell sounds. The fourth act begins. The allegro appassionato of the inter-act is played as usual, with a majestic deliberation which would have made Meyerbeer frantic, and all the majesty of which was appreciated by the Quiquendonian dilettanti.

But soon the leader perceived that he was no longer master of his musicians. He found it difficult to restrain them, though usually so obedient and calm. The wind instruments betrayed a tendency to hasten the movements, and it was necessary to hold them back with a firm hand, for they would otherwise outstrip the stringed instruments; which, from a musicial point of view, would have been disastrous. The bassoon himself, the son of Josse Lietrinck the apothecary, a well-bred young man, seemed to lose his self-control.

Meanwhile Valentine has begun her recitative, "I am alone," etc.; but she hurries it.

The leader and all his musicians, perhaps unconsciously, follow her in her cantabile, which should be taken deliberately, like a 12-8 as it is. When Raoul appears at the door at the bottom of the stage, between the moment when Valentine goes to him and that when she conceals herself in the chamber at the side, a quarter of an hour does not elapse; while formerly, according to the traditions of the Quiquendone theater, this recitative of thirty-seven bars was wont to last just thirty-seven minutes.

Saint Bris, Nevers, Cavannes, and the Catholic nobles have appeared, somewhat prematurely, perhaps, upon the scene. The composer has marked allegro pompose on the score. The orchestra and the lords proceed allegro indeed, but not at all pompose, and at the chorus, in the famous scene of the "benediction of the poniards," they no longer keep to the enjoined allegro. Singers and musicians broke away impetuously. The leader does not even attempt to restrain them. Nor do the public protest; on the contrary, the people find themselves carried away, and see that they are involved in the movement, and that the movement responds to the impulses of their souls.

Will you, with me, deliver the land, From troubles increasing, an impious band?

They promise, they swear. Nevers has scarcely time to