Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/490

Rh I have striven to express.' Life is symbolized by the figure of a woman, the soul by an angel, and the earthly tendencies—duty, passion, and avarice—by male figures. Life is represented as struggling to free herself from the gross earthly forms that cling to her. The figure of Life shows a calm, placid strength, well calculated to conquer in a struggle; and the modelling of her clinging robes and the active muscle of the male figures is firm and life-like. The mantle of truth flows from the shoulders of the angel, forming a drapery for the whole group, and serving as a support for the basin, the edges of which are ornamented with dolphins spouting water.

"The silhouette formed by the mass of the fountain is most interesting and successful from all points of view. The lines of the composition are large and dignified, especially noticeable in the modelling of the individual figures, which is well studied and technically excellent." At Buffalo, where this fountain was exhibited, it received honorable mention.

Miss Yandell has been commissioned to execute a symbolical figure of victory and a statue of Daniel Boone for the St. Louis Exposition.

Ykens, Laurence Catherine. Elected to the Guild of Antwerp in 1659. Born in Antwerp. Pupil of her father, Jan Ykens. Flowers, fruits, and insects were her favorite subjects, and were painted with rare delicacy. Two of these pictures are in the Museo del Prado, at Madrid. They are a "Festoon of Flowers and Fruits with a Medallion in the Centre, on which is a Landscape"; and a "Garland of Flowers with a Similar Medallion."