Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/474

 She paints portraits and genre subjects. Her pictures, seen at Berlin in 1893, were much admired. They included portraits, figure studies, and Danish interiors. At Munich, in 1894, her portraits attracted attention, and were commended by those who wrote of the exhibition. Among her works are many portraits: "Mother and Child in the Garden," and "A Widow and Child," are two of her genre subjects.

Weis, Rosario. Silver medal from the Academy of San Fernando, 1842, for a picture called "Silence." Member of the Academy. Pupil of Goya, who early recognized her talent. In 1823, when Goya removed to Burdeos, she studied under the architect Tiburcio Perez. After a time she joined Goya, and remained his pupil imtil his death in 1828. She then entered the studio Lacour, where she did admirable work. In 1833, for the support of her mother and herself, she made copies of pictures in the Prado on private commissions. In 1842 she was appointed teacher of drawing to the royal family, in which position she did not long continue, her death occurring in 1843. Among her pictures are "Attention!" an allegorical figure; "An Angel"; "A Venus"; and "A Diana." Among her portraits are those of Goya, Velasquez, and Figaro. Wiegmann, Marie Elisabeth; family name Hancke. Small gold medal, Berlin. Born 1826 at Solberberg, Silesia; died, 1893, at Düsseldorf. In 1841 she began to study with Stilke in Düsseldorf; later with K. Sohn. She travelled extensively in Germany, England, Holland,