Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/449

 in fashion at the court. Some critics have thought the Tirlinks to be the same person with Liewena Bennings or Benic, whose story, as we know it, is much the same as the above.

Tormoczy, Bertha von. Diploma of honor, Budapest and Agram. Born at Innspruck, 1846. Pupil of Hausch, Her, and Schindler. Among her pictures are " Girl in the Garden," "Blossoming Meadows," "Autumn Morning," and a variety of landscapes. Toro, Petronella. A painter of miniatures on ivory which have attained distinction. Among those best known are the portraits of the Prince of Carignano, Duke Amadeo, and the Duchess d' Aosta with the sons of the Prince of Carignano. She has painted a young woman in an antique dress and another in a modern costume. Her works are distinguished by firmness of touch and great intelligence.’ She has executed some most attractive landscapes.

Treu, or Trey, Katharina. Born at Bamberg. 1742-1811. A successful painter of flowers and still-life. Her talent was remarkable when but a child, and her father, who was her only master, began her lessons when she was ten years old. When still young she was appointed court painter at Mannheim, and in 1776 was made a professor in the Academy at Diisseldorf. Her pictures are in the Galleries of Bamberg and Carlsruhe, and in the Darmstadt and Stuttgart Museums. Urrutia de Urmeneta, Ana Gertrudis de. Member of the Academy of Fine Arts, Cadiz, 1846. Born in Cadiz. 1812-1850. She began the study of drawing with Javier,