Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/442

Rh a high key and, as she writes, "in tender, opalescent color."

One of her medal pictures is the "Head of a Madonna," out of doors, in a hazy, blue shadow, against a background of grapevine foliage. The head is draped in white; the eyes are cast down upon the beholder. A sun spot kisses the white draperies on the shoulder. It is a young, girlish face, but the head is suggestive of great exaltation.

A second picture which received an award was a "Madonna and Child," out of doors. The figure is half life size. Dressed in white, the Madonna is stretched at full length upon the grass. Raised on one arm, she gazes into the face of the infant Christ Child.

Mrs. Swope has had success in pastel, in which, not long since, she exhibited a "Mother and Child," which was much admired. The mother—in an arbor—held the child up and reverently kissed the cheek. It was called "Love," and was exhibited in New York, Philadelphia, and Chicago. Mrs. Swope's most ambitious work—five by three feet in size—represents an allegorical subject and is called "Revelation."

Sues, Mile. Lea. Three silver medals from the School of Arts, Geneva; diploma of honor at the National Swiss Exposition, 1896. Member of l’Athénée, Geneva. Born at Genoa and studied there under Professors Gillet, Poggy, and Castan.

This artist paints landscapes, Swiss subjects principally. Her pictures of Mont Blanc and Chamounix are popular and have been readily sold. They are in private