Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/416

Rh Roumania, and one as a gift from the city of Darmstadt to the Czarina Alexandra. Among her most excellent portraits are those of Friedrich von Schmidt and his son Henry. Several of her religious paintings ornament German churches: "St. Elizabeth" is at Biedenkopf, "Mary's Departure from the Tomb of Christ" is at Nierstein, and "Christ with St. Louis and St. Elizabeth" and a Rosary picture are in the Catholic church at Darmstadt. Scheffer, Caroline. The daughter of Ary Lamme and wife of J. B. Scheffer was an artist in the last decades of the eighteenth century, but the special interest connected with her is the fact that she was the mother of Ary and Henry Scheffer. From her artistic standpoint she had an appreciation of what was needed for the benefit of her sons. She took them to Paris to study, devoted herself entirely to their welfare, and died in Paris in 1839.

Schleh, Anna. Born in Berlin, 1833. Her principal studies were made in her native city under Schrader, although she went to Rome in 1868, and finally took up her residence there. She had, previous to her work in Rome, painted "The Marys at the Grave." Her later pictures include "The Citron-Vender" and a number of portraits for the Henkel family of Donnersmark.

Schmitt-Schenkh, Maria. Born in Baden, 1837. She studied her art in Munich, Carlsruhe, and Italy. She established herself in Munich and painted pictures for churches, which are in Kirrlach, Mauer, Ziegelhausen, and other German towns. She also designed church windows, especially for the Liebfrauenkirche at Carlsmhe.

Schurmann, Anna Maria. Was called by the Dutch