Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/353

254 and Daphne," 1895; "Summer," 1896; "Isabella," 1897; "Diana and Calisto," 1899; "Portrait of Marquis of Dufferin and Ava," 1901 ; " Lady Winifred Renshaw and Son," and the "Sirens," 1903, which is a picture of three nude enchantresses, on a sandy shore, watching a distant galley among rocky islets.
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Nourse, Elizabeth. Medal at Chicago Exposition, 1903; Nashville Exposition, 1897; Carthage Institute, Tunis, 1897; elected associate of the Beaux-Arts, Paris, 1895; silver medal, Paris Exposition, 1900; elected Sociétaire des Beaux-Arts, 1901. Born in Cincinnati, Ohio, where she began her studies, later going to the Julian Academy, under Boulanger and Lefebvre, and afterward studying with Carolus Duran and Henner. This artist idealizes the subjects of every-day, practical life, and gives them a poetic quality which is an uncommon and delightful attainment.

At the Salon des Beaux-Arts, 1902, Miss Nourse exhibited "The Children," "Evening Toilet of the Baby," "In the Shade at Pen'march," " Brother and Sister at Pen'march," "The Madeleine Chapel at Pen'march." In 1903, "Our Lady of Joy, Pen'march," "Around the Cradle," "The Little Sister," and "A Breton Interior."
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Oakley, Violet. Member of Pennsylvania Academy of Fine Arts, Philadelphia Water-Color Club, Plastic Club, Philadelphia. Born in New Jersey, but has lived