Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/319

224 has been reproduced in colors and in black and white. She usually combines figures and landscape.

Mantovani, Signora S. Rome.
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Maraini, Adelaide. Gold medal in Florence, at Beatrice Exposition, 1903. Born in 1843. This sculptor resides in Rome, where her works have been made. An early example of her art, "Camilla," while it gave proof of her artistic temperament, was unimportant; but her later works, as they have followed each other, have constantly gained in excellence, and have won her an enviable reputation. Among her statues are "Amleto," "The Sulamite Woman," and "Sappho." The last was enthusiastically received in Paris in 1878, and is the work which gained the prize at Florence, where it was said to be the gem of the exhibition. She has also executed a monument to Attilio Lemmi, which represents "Youth Weeping over the Tomb of the Dead," and is in the Protestant Cemetery at Florence ; a bas-relief, the "Angels of Prayer and of the Resurrection"; a group, "Romeo and Juliet"; and portraits of Carlo Cattanei, Giuseppe Civinini, Signora Allievi, Senator Musio, the traveller De Albertis, and Victor Emmanuel.

Marcelle, Adèle, Duchess of Castiglione-Colonna, family name d'Affry. Born at Fribourg, Switzerland, 1837, and died at Castellamare, 1879. Her early manner was that of the later Cinquecento, but she afterward adopted a rather bombastic and theatrical style. Her only statue, a Pythia, in bronze was placed in the Grand Opera at