Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/318

Rh Markart in Vienna, and some of her conceptions remind one of H. von Preusschen. Her technique is a combination of embroidery, painting, and applications on silk. Whether this combination of methods is desirable is another question, but as a means of decoration it is highly effective. At an exhibition of paintings by women of Saxony, held in Dresden under the patronage of Queen Carola in the fall of 1892, this artist exhibited another decorative panel, done in the same manner, which seems to have been a great disappointment to those who had heard wonderful accounts of the earlier cycle of panels. It was too full of large-leaved flowers, and the latter were too brilliant to serve as a foreground to the Alhambra scenes, which were used as the chief motive. Manly, Alice Elfrida. A national gold medal and the Queen's gold medal, at the Royal Female School of Art, London. Member of the Dudley Gallery Art Society and the Hampstead Art Society. Born in London. Pupil of the above-mentioned School and of the Royal Academy Schools.

This artist has exhibited at the Academy, at the Royal Institute of Painters in Water Colors, and other exhibitions. Her pictures have frequently been sold from the exhibitions and reproduced. Among these are "Sympathy," sold as first prize in Derby Art Union; "Diverse Attractions"; "Interesting Discoveries"; "Coming," sold from the Royal Academy; "Gossips"; "The Wedding Gown," etc.

Miss Manly has done much work for publishers, which