Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/288

Rh Lake George and the Adirondack regions. "Morning in the Mountains " and "On the Road to Mt. Marcy" were exhibited in 1877; "A November Day" and an "Evening Walk," in 1878; "A House in East Hampton, Two Hundred and Twenty Years Old," in 1880; "On Rondout Creek," in 1881; and "The Brook," in 1882.

Koker, Anna Maria de. A Dutch etcher and engraver of the seventeenth century, who pursued her art from pure love of it, never trying to make her works popular or to sell them. A few of her landscapes fell into the hands of collectors and are much valued for their rarity and excellence. Three examples are the "Landscape with a View of a Village," "The Square Tower," and "Huts by the Water."

Komlosi, Irma. Born in Prague, 1850. Pupil of Friederich Sturm. This flower painter resides in Vienna, where her pictures are much appreciated and are seen in good collections. They have been purchased for the Art Associations of Briinn, Prague, and Budapest.

Kondelka, Baroness Pauline von—Frau von Schmerling. Born at Vienna. 1 806-1 840. She inherited from her father a strong inclination for art, and was placed by him under the instruction of Franz Potter. In the Royal Gallery, Vienna, is her picture called "Silence," 1834. It represents the Virgin with her finger on her lip to warn against disturbing the sleep of the Infant Jesus. The picture is surrounded by a beautiful arrangement of flowers. In 1836 she painted a charming picture called "A Bunch of Flowers." Her favorite subjects were floral, and her works of this sort are much admired.