Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/259

176 Théophile Gautier once said that but three women in Europe merited the name of artists—Rosa Bonheur, Henrietta Brown, and Elizabeth Jerichau; and Cornelius called her "the one woman in the Düsseldorf School," because of her virile manner of painting

Among her important portraits are those of Frederick VII. of Denmark, the brothers Grimm, and "Hans Christian Andersen Reading His Fairy Tales to a Child."

Mme. Jerichau was also an author. In 1874 she published her "Memories of Youth," and later, with her son, the illustrated "Pictures of Travel"

Jopling-Rowe, Louise. Member of Royal Society of British Artists, Society of Portrait Painters, Pastel Society, Society of Women Artists. Born at Manchester, 1843. Pupil of Chaplin in Paris; also studied with Alfred Stevens.

Since 1871 Mrs. Jopling has been a constant exhibitor at the Royal Academy and other London exhibitions, and frequently also at the Paris Salon.

Her pictures are principally portraits and genre subjects. Her first decided success was gained in 1874, when she exhibited at the Academy the "Japanese Tea Party," and from that time she was recognized as an accomplished artist and received as many commissions as she could execute. The Baroness de Rothschild had been convinced of Mrs. Jopling’s talent before she became an artist, and had given her great encouragement in the beginning of her career. The portrait of Lord Rothschild, painted for Lord Beaconsfield, is thought to be her best work of this kind, but its owner would not allow it to be