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WOMAN IN ART here goes! I shall never hold anything back that I want to do." Hers was a happy, healthful, and helpful life.

Mrs. Jean McLane-Johansen, one of the two women of the group, was unable to go with the rest, hence her portion of the commission was not completed with the others. However, her portrait of Elizabeth, Queen of the Belgians, shows her ample qualifications for the high commission granted her. The portrait is a superb work of art. Her knowledge and artistry produced a most dignified portrayal of the queen in her natural right and character, so the canvas needs not the tiara, state robes and jewels to pronounce her Queen of the Belgians. The innate graciousness of heart dominates the graciousness of the queen—the queen as the civilized world knew her during the strain and stress of invasion and warfare. All this and more has been preserved to the world from the insight and brush of Mrs. Jean McLane.

We are not going to quarrel with the technique of the painters, any more than with their handwriting; if it is clear and legibly conveys the message and satisfies eye and heart, we want to help to an understanding and appreciation of their thought and their art. If it rings true, beauty of style, texture, color, and sentiment will come to the surface and is manifested.

A well regulated human will understand and enjoy phases of childhood of today and of his own early days and ways. A painting from Mrs. McLane's studio is inspiring alike to grownups and children. It represents a group of little folk on the brow of a grassy hill "Blowing Bubbles," a charming bit of child life in color and action. It became the property of the Milwaukee Institute by gift of the artist.

Needless to say, Jean McLane is a portrait painter, and a painter of mother and children, for the two are not to be separated.

A portrait of Mrs. John Henry Hammond and her daughter is a charming, home-like picture, the two seated on a sofa, the motherly arm about the child who snuggles close to her mother, her bewitching little face looking up at the intruder upon their love-making, the background just a portion of the paneled wall, and a simple side-light fixture, nothing more. Broadly painted it is, yet the sweeps of color are related to the gown which is of soft material. It is a pleasing combination of the human spirit and the technique, and won the Shaw Memorial Prize at the Academy of Design in New York in 1912.

"Virginia and Stanton," children of the frolicsome age, have just paused in their play to listen to a fascinating story; Stanton is interested but incredulous, while Virginia takes a more understanding view of it. This painting was 142