Page:Wit, humor, and Shakspeare. Twelve essays (IA cu31924013161223).pdf/95

 approves that opinion. His gentility, though a little rusted and obsolete, is like a Sunday suit which nobody thinks of rallying. He wears it well, and his mistress cannot afford to treat him exactly as a servant; in fact, she has occasionally dropped good-natured phrases which he has interpreted into a special partiality: for Quixotic conceits can riot about inside of his stiff demeanor. This proneness to fantasy increases the touchiness of a man of reserve. He can never take a joke, and his climate is too inclement to shelter humor. Souls must be at blood-heat, and brains must expand with it like a blossom, before humor will fructify. He wonders how Olivia can tolerate the clown. "I protest," he says, "I take these wise men, that crow so at these set kind of fools, to be no better than the fools' zanies." Olivia hits the difficulty when she replies, "Oh, you are sick of self-love, and taste with a distempered appetite." Perhaps he thinks nobly of the soul because he so profoundly respects his own, and carries it upon stilts over the heads of the servants and Sir Toby and Sir Andrew.

Imagine this saturnine and self-involved man obliged to consort daily with Sir Toby, who brings his hand to the buttery-bar before breakfast, and who hates going to bed "as an unfilled can," unless no more drink is forthcoming; an irascible fellow, too, and all the more tindery because continually dry. He has Sir Andrew Aguecheek for a boon companion, who says of himself that sometimes he has no more wit than a Christian, or than an ordinary man. When he is not in liquor he is