Page:Wit, humor, and Shakspeare. Twelve essays (IA cu31924013161223).pdf/164

 *sively utilized the moment of hatred of the supposed eavesdropper; but, finding he had killed the wrong man, his swift action passes into that impetuous arraignment of his mother which follows, and thus expends itself upon the nearest object. He took Polonius for his better, but his resolve is "sicklied o'er" by this mistake; and an almost blunted purpose proves seasonable armor for the King. People of far less nice reflection than Hamlet had would feel hampered by such an accident. It is in the nature of all of us to find a passion grow cool beneath the drift of an untoward cloud; so that I cannot conceive that Shakspeare meant to develop the whole tragedy out of an over-scrupulosity of speculation. The ghost himself, whose latest visitation is but to whet Hamlet's revenge, again diverts him from that point by bidding him turn and look where amazement sits upon his mother:—

"Oh, step between her and her fighting soul! Speak to her, Hamlet."

And an arrowy current from a long accumulating heart sweeps through the midnight hours. Then, by the light of the succeeding day, we observe that Hamlet's mind has recovered its strain of irony: it passes for the flightiness that gets him despatched to England, where all the people are as mad as he. But Hamlet's nerves, though delicately spun, are spun of some toughness that never snaps nor ravels. His pulse "doth temperately keep time, and makes as healthful music" as any man's.

Throughout the play, a refined superiority is the keynote of his character. The "heavy-headed revel" of