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160 good king who had never stooped to baseness of any sort. But he was now living in a different age, and somehow

"I'm a dual nature," he thought. And he applied to himself another phrase he seemed to recall from his reading of magazine stories.

"I've got the artistic temper!" This, he gathered, was held to explain, if not to justify, many departures from the conventional in affairs of the heart. It was a kind of licensed madness. Endowed with the "artistic temper," you were not held accountable when you did things that made plain people gasp. That was it! That was why he was carrying on with Tommy Rollins' girl, and not caring what happened.

In his times of leisure they walked through the shaded aisles of those too well-kept grounds, or they sat in seats of twisted iron and honored the setting sun with their notice. They did not talk much, yet they were acutely aware of each other. Sometimes the silence was prolonged to awkwardness, and one of them would jestingly offer a penny for the other's thoughts. This made a little talk, but not much, and sometimes increased the awkwardness; it was so plain that what they were thinking of could not be told for money.

They did tell their wonderful ages and their full names and held their hands side by side to note the astonishing differences between the "lines." A palmist had revealed something quite amazing to the flapper, but she refused to tell what it was, with a significance that left Bean in a