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N THE following afternoon, among the Sunday throng in the Metropolitan Museum of Art, a slender young man of inconsiderable stature, alert as to movement, but with an expression of absent dreaming, might have been observed giving special attention to the articles in those rooms devoted to ancient Egypt. Doubtless, however, no one did observe him more than casually, for, though of singularly erect carriage, he was garbed inconspicuously in neutral tints, and his behaviour was never such as to divert attention from the surrounding spoils of the archæologist.

Had his mind been as an open book, he would surely have become a figure of interest. His mental attitude was that of a professional beau of acknowledged preëminence; he was comparing the self at home in the mummy case with the remnants of defunct Pharaohs here exposed under glass, and he was sniffing, in spirit, at their lack of kingly dignity and their inferior state of preservation. Their wooden cases were often marred, faded, and broken. Their shrouding linen was frayed and stained. Their features were unimpressive and, in too many instances, shockingly incomplete. They looked very little like kings