Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/58

28 In the agitation of his thoughts, he envies those whom he has sent to peace. "Duncan is in his grave; after life's fitful fever he sleeps well."—It is true, he becomes more callous as he plunges deeper in guilt, "direness is thus rendered familiar to his slaughterous thoughts," and he in the end anticipates his wife in the boldness and bloodiness of his enterprises, while she for want of the same stimulus of action, is "troubled with thick-coming fancies that rob her of her rest," goes mad and dies. Macbeth endeavours to escape from reflection on his crimes by repelling their consequences, and banishes remorse for the past by the meditation of future mischief. This is not the principle of Richard's cruelty, which resembles the wanton malice of a fiend as much as the frailty of human passion. Macbeth is goaded on to acts of violence and retaliation by necessity; to Richard, blood is a pastime.— There are other decisive differences inherent in the two characters. Richard may be regarded as a man of the world, a plotting, hardened knave, wholly regardless of every thing but his own ends, and the means to secure them–Not so Macbeth. The superstitions of the age, the rude state of society, the local scenery and customs, all give a wildness and imaginary grandeur to his character. From the strangeness of the events that surround him, he is full of