Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/374

344 at all, must have been among the sins of his youth. Arden of Feversham contains several striking passages, but the passion which they express is rather that of a sanguine temperament than of a lofty imagination; and in this respect they approximate more nearly to the style of other writers of the time than to Shakespear's. Titus Andronicus is certainly as unlike Shakespear's usual style as it is possible. It is an accumulation of vulgar physical horrors, in which the power exercised by the poet bears no proportion to the repugnance excited by the subject. The character of Aaron the Moor is the only thing which shews any originality of conception; and the scene in which he expresses his joy "at the blackness and ugliness of his child begot in adultery," the only one worthy of Shakespear. Even this is worthy of him only in the display of power, for it gives no pleasure. Shakespear managed these things differently. Nor do we think it a sufficient answer to say that this was an embryo or crude production of the author. In its kind it is full grown, and its features decided and overcharged. It is not like a first imperfect essay, but shews a confirmed habit, a systematic preference of violent effect to every thing else. There are occasional detached images of great beauty and delicacy, but these were not beyond the powers of other writers then living. The circumstance which