Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/22

xvi neither a poet nor a judge of poetry. He might in one sense be a judge of poetry as it falls within the limits and rules of prose, but not as it is poetry. Least of all was he qualified to be a judge of Shakespear, who "alone is high fantastical." Let those who have a prejudice against Johnson read Boswell's Life of him: as those whom he has prejudiced against Shakespear should read his Irene. We do not say that a man to be a critic must necessarily be a poet: but to be a good critic, he ought not to be a bad poet. Such poetry as a man deliberately writes, such, and such only will he like. Dr. Johnson's Preface to his edition of Shakespear looks like a laborious attempt to bury the characteristic merits of his author under a load of cumbrous phraseology, and to weigh his excellences and defects in equal scales, stuffed full of "swelling figures and sonorous epithets." Nor could it well be otherwise; Dr. Johnson's general powers of reasoning overlaid his critical susceptibility. All his ideas were cast in a given mould, in a set form: they were made out by rule and system, by climax, inference, and antithesis:— Shakespear's were the reverse. Johnson's understanding dealt only in round numbers: the fractions were lost upon him. He reduced every thing to the common standard of conventional propriety; and the most exquisite refinement or sublimity