Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/122

92 Every thing in Chaucer has a downright reality. A simile or a sentiment is as if it were given in upon evidence. In Shakespear the commonest matter-of-fact has a romantic grace about it; or seems to float with the breath of imagination in a freer element. No one could have more depth of feeling or observation than Chaucer, but he wanted resources of invention to lay open the stores of nature or the human heart with the same radiant light, that Shakespear has done. However fine or profound the thought, we know what was coming, whereas the effect of reading Shakespear is "like the eye of vassalage encountering majesty." Chaucer's mind was consecutive, rather than discursive. He arrived at truth through a certain process; Shakespear saw every thing by intuition. Chau- cer had great variety of power, but he could do only one thing at once. He set himself to work on a particular subject. His ideas were kept separate, labelled, ticketed and parcelled out in a set form, in pews and compartments by themselves. They did not play into one another's hands. They did not re-act upon one another, as the blower's breath moulds the yielding glass. There is something hard and dry in them. What is the most wonderful thing in Shakespear's faculties is their excessive sociability, and how they gossipped and compared notes together.