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20 in Blake and in, say, Shakespeare, is that the one (himself a painter) has a visual imagination and sees an image or metaphor as a literal reality, while the other, seeing it not less vividly but in a more purely mental way, adds a 'like' or an 'as,' and the image or metaphor comes to you with its apology or attenuation, and takes you less by surprise. But to Blake it was the universe that was a metaphor.