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 succeed—his brother too sickened and died; he had a dispute with Parker—the shop was extinguished, and he removed to 28 Poland Street. Here he commenced that series of works which give him a right to be numbered among the men of genius of his country. In sketching designs, engraving plates, writing songs, and composing music, he employed his time, with his wife sitting at his side, encouraging him in all his undertakings. As he drew the figure he meditated the song which was to accompany it, and the music to which the verse was to be sung, was the offspring too of the same moment. Of his music there are no specimens—he wanted the art of noting it down—if it equalled many of his drawings, and some of his songs, we have lost melodies of real value.

The first fruits were the 'Songs of Innocence and Experience,' a work original and natural, and of high merit, both in poetry and in painting. It consists of some sixty-five or seventy scenes, presenting images of youth and manhood—of domestic sadness, and fireside joy—of the gaiety and innocence, and happiness of childhood. Every scene has its poetical accompaniment, curiously interwoven with the group or the landscape, and forming, from the beauty of the colour and the prettiness of the pencilling, a very fair picture of itself. Those designs are in general highly poetical; more allied, however, to heaven than to earth,—a kind of spiritual abstractions, and indicating a