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 Rh thirty lines at a time, without premeditation, and even against my will.' 'I may praise it,' he says in another letter, 'since I dare not pretend to be any other than the secretary; the authors are in eternity.' In these words, the most precise claim for direct inspiration which Blake ever made, there is nothing different in kind, only in degree, from what must be felt by every really creative artist and by every profoundly and simply religious person. There can hardly be a poet who is not conscious of how little his own highest powers are under his own control. The creation of beauty is the end of art, but the artist should rarely admit to himself that such is his purpose. A poem is not written by the man who says: I will sit down and write a poem; but rather by the man who, captured by rather than capturing an impulse, hears a tune which he does not recognise, or sees a sight which he does not remember, in some 'close corner of his brain,' and exerts the only energy at his disposal in recording it faithfully, in the medium of his particular art. And so in every creation of beauty, some obscure desire stirred in the soul, not realised by the