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 200 and thus again exposed him, if not to the derision, at least to the pity of the public. . . . Thus encouraged, the poor man fancies himself a great master, and has painted a few wretched pictures, some of which are unintelligible allegory, others an attempt at sober character by caricature representation, and the whole "blotted and blurred," and very badly drawn. These he calls an Exhibition, of which he has published a Catalogue, or rather a farrago of nonsense, unintelligibleness, and egregious vanity, the wild effusions of a distempered brain. One of the pictures represents Chaucer's Pilgrims, and is in every respect a striking contrast to the admirable picture of the same subject by Mr. Stothard, from which an exquisite print is forthcoming from the hand of Schiavonetti.'

The last great words of the Catalogue, 'If a man is master of his profession, he cannot be ignorant that he is so; and, if he is not employed by those who pretend to encourage art, he will employ himself, and laugh in secret at the pretences of the ignorant, while he has every night dropped into his shoe, as soon as he puts it off, and puts out