Page:William Blake (IA williamblake00ches).pdf/43

 he conceived an affection for Blake's allegorical designs. But he gave no commissions for pictures; he simply gave Blake money for pictures as fast as Blake chose to paint them. The subject and size and medium were left entirely to the artist. One day Blake might leave at Fitzroy Square a little water-colour of the "Soul of a Porcupine"; the next day a gorgeous and intricate illumination in gold of the obstetrics and birth of Cain; the next day an enormous mural painting of Hector capturing the arms of Patroclus; the following day a simple pen and ink drawing of the prophet Habbakuk taken from life. All these Mr Thomas Butts of Fitzroy Square received with solid benevolence and paid for in solid coin. Many modern writers and painters may think of such a patron somewhat dreamily. He had his reward, though it was unique rather than particularly practical. Blake regarded him with a serene affection which was never ruffled by the flying storms that were too frequent in his friendships. No allusions can be found in his poetry to the effect that Thomas Butts was a Spectre from Satan's Loins. No epigram was discovered among Blake's papers accusing Mr