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WILLIAM BLAKE a cottage with which Blake almost literally fell in love. He writes as if he had never seen an English country cottage before; and perhaps he never had. "Nothing," he cries in a kind of ecstasy, "can ever be more grand than its simplicity and usefulness. Simple and without intricacy, it seems to be the spontaneous expression of humanity, congenial to the wants of man. No other formed house can ever please me so well." It is probably true that none ever did. All that was purest and most chivalrous in his poetry and philosophy flowered in the great winds that pass and repass between the noble Sussex hills and the sea. He was always a happy man, since he had a God. But here he was almost a contented man.

By this time had passed over Blake's head first the beginning and then the growing blackness of the great French terror. Blake was now in a world in which even he could not venture to walk about in a red cap. Moreover, like most of the men of genius of that age and school, like Coleridge and like Shelley, he seems to have been slightly sickened with the full sensational actuality of the French 37