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WILLIAM BLAKE meant by it. He did not mean something shadowy or fantastic, but rather something clear-cut, definite, and unalterable. By Imagination, that is, he meant images; the eternal images of things. You might shoot all the lions on the earth; but you could not destroy the Lion of Judah, the Lion of the Imagination. You might kill all the lambs of the world and eat them; but you could not kill the Lamb of the Imagination, which was the Lamb of God, that taketh away the sins of the world. Blake's philosophy, in brief, was primarily the assertion that the ideal is more actual than the real: just as in Euclid the good triangle in the mind is a more actual (and more practical) than the bad triangle on the blackboard.

Many of Blake's pictures become intelligible (or as intelligible as they can become) if we keep this principle in mind. For instance, there is a fine design representing a naked and heroic youth of great beauty tracing something on the sand. The reader, when he looks at the title of it, is interested to discover that this is a portrait of Sir Isaac Newton. It was not so much of an affectation as it seems. Blake from 160