Page:William Blake, a critical essay (Swinburne).djvu/286

 254 strange infection, with flakes of deadly colour that vibrate upon the starless solid ground of an intolerable night. Less of menace with more of sadness is in the landscape and sky on the title-page: a Titan, with one weighty hand lying on a gigantic skull, rests at the edge of a green sloping moor, himself seeming a grey fragment of moorland rock; brown fire of waste grass or rusted flower stains crag and bent all round him; the sky is all night and fire, bitter red and black. On the first page a serpent, splendid with blood-red specks and scales of greenish blue, darts the cloven flame of its tongue against a brilliant swarm of flies; and again throughout the divided lines a network of fair tortuous things, of flickering leaf and sinuous tendril and strenuous root, flashes and curls from margin to margin.

This song is the song of Time, sung to the four harps of the world, each continent a harp struck by Time as by a harper. In brief dim words it celebrates the end of the world of the patriarchs where faith and freedom were one, the advent of the iron laws and ages, when God the Accuser gave his laws to the nations by the hands of the children of time: when to the extreme east was given mere abstract philosophy for faith instead of clear pure belief, and man became slave to the elements, the slave and not the lord of the nature of things; but not yet was philosophy a mere matter of the five senses. Thus they fared in the east; meantime the spirits of the patriarchal world shrank beneath waters or fled in fires, Adam from Eden, Noah from Ararat; and "Moses beheld upon Mount Sinai forms of dark delusion." Over each religion, Indian and