Page:William Blake, a critical essay (Swinburne).djvu/229

Rh things he could often do perfectly, and great things often imperfectly; here for once he has written a book as perfect as his most faultless song, as great as his most imperfect rhapsody. His fire of spirit fills it from end to end; but never deforms the body, never singes the surface of the work, as too often in the still noble books of his later life. Across the flicker of flame, under the roll and roar of water, which seem to flash and to resound throughout the poem, a stately music, shrill now as laughter and now again sonorous as a psalm, is audible through shifting notes and fitful metres of sound. The book swarms with heresies and eccentricities; every sentence bristles with some paradox, every page seethes with blind foam and surf of stormy doctrine; the humour is of that fierce grave sort, whose cool insanity of manner is more horrible and more obscure to the Philistine than any sharp edge of burlesque or glitter of irony; it is huge, swift, inexplicable; hardly laughable through its enormity of laughter, hardly significant through its condensation of meaning; but as true and thoughtful as the greatest humourist's. The variety and audacity of thoughts and words are incomparable: not less so their fervour and beauty. "No bird soars too high if he soars with his own wings." This proverb might serve as motto to the book: it is one of many "Proverbs of Hell," as forcible and as finished.

It was part of Blake's humour to challenge misconception, conscious as he was of power to grapple with it: to blow dust in their eyes who were already sandblind, to strew thorns under their feet who were already lame. Those whom the book in its present shape would perplex