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150 "Rhoda began her tale with a thrilling introduction that set us all laughing (we smile here when still the tears are close at hand; indeed, we must smile, or we could not live): the prelude being something about a lonely castle in the heart of the Hartz Mountains, and a prattling golden-haired babe stretching its arms across a ruined moat in the direction of its absent father. This was in the nature of an absurd prologue, but when she finally came to the Solitary she grew serious; for she made him in the bygone days a sensitive child and a dreamy, impetuous youth, with a domineering, ill-tempered father who was utterly unable and unwilling to understand or to sympathize with him.  His younger brother (for Rhoda insists on a younger brother) lived at home, while he, the elder, spent, or misspent, his youth and early manhood in a German university. As the years went on, the relations between himself and his father grew more and more strained. Do as the son might, he could never please, either in his line of thought and study or in his practical pursuits. The father hated his books, his music, his poetry, and his artist friends, while he on his part found