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 higher sphere than that from which he has been dragged down. In self-sacrifice and self-devotion he shall find the talisman to set him free, not at once, but, like other permanent results, gradually and in the lapse of time; so, mounting step by step and gaining strength as he ascends, he shall look down from the unassailable heights of forgiveness on the lesser souls that can never reach to wound him now—forgiveness, free, complete, and unconditional as that which he himself pleads for from his God.

And here it is that the character of Arthur, as drawn by Tennyson, exemplifies the noblest type of Christianity, chivalry, and manhood with which we are acquainted in the whole range of fiction. Poetry has yet to disclose to us a more godlike, more elevating sentiment than the king's pardon to his guilty and repentant wife. It breathes the very essence of all those qualities which